"The Major" has no problem in terms of political irony, but it is a lot worse in the excavation of human nature. The logic and direction of the entire script are extremely far-fetched. It can be seen that the director is trying to throw out his theme of human torture of "to die or to live" as always. Several passages in the film are self-righteous elaborations, which lead to the end result becoming more and more uncontrollable like a snowball, causing the plot to be a bit bloody. This is the typical mode of rape narrative. This kind of treatment leads to the ubiquitous sense of deliberateness in the second half of the film, which always reminds the audience that the script has fallen into a design like a programmatic choice. The psychological struggle of the male protagonist Sergei Sobolev is not to fight the whole situation, but to constantly struggle with himself, constantly swaying from side to side, and the psychological transformation between them is too little, always only explaining the result of the change of mind, completely ignoring In the process, I lost a lot of points.
"The Major" has a dark, depressing tone from start to finish. The only regret is that the first half of the film is too well-prepared, causing the plot to develop a little slow, and in the current length of time, the director obviously does not have enough time to deal with the ending more delicately. Therefore, many characters in the film struggle and change their minds in a hurry. However, the flaws do not hide the flaws, and the film's award is well deserved.
