Through "どん Bottom", Wind Man has proved that he is not only proficient in epics with large scales, but also in control of small-scale stage plays. In this film, Wind Man cleverly expands the limited space into a wide stage. It can be observed that many scenes in the film are performed by an actor in the foreground, and the other actors keep a distance from it in the depths. The poor interior scene of the poor house in the movie was designed by Muraki and Shiro. Although it consists of messy sleeping beds, it is not overcrowded, as people often hide behind rags and rags.
The long night song at the end pushed "どん Bottom" to its climax. The crowd played drums and made comical movements. Outside the house is bleak and bleak, but the people in the house can only make new words and talk about music, which is intriguing and inspiring
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In Wind Man's "どん Bottom", the life of the people at the bottom is excavated into a beautiful mood, and this kind of beautiful mood can naturally illustrate the simple "humanity" view of everyone's beautiful side, that is, not to pity, but to seek out of cuteness
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