The Lives of Others evaluation action

2022-01-25 08:03
The film "Eavesdropping Storm" has twists and turns, grasping the hearts of the people, and presenting a good story to the audience. The film does not end with a happy scene of reunion like the fairy tale analyzed by Prop, but leaves the audience with it. A touch of gratitude.
"Eavesdropping Storm" is a serious and reflective film that continues the strong speculative temperament and unambiguous critical spirit of German films since the 21st century. The rather clever story frame enables the 132-minute film to maintain a high concentration of attention at all times. "Eavesdropping Storm" can organically blend ornamental and serious themes, which is no easy task nowadays. It wasn't until the end, which was highly restrained but uncontrollable, that the audience admired the author's ingenuity, and thus penetrated all the details in the film.
"Eavesdropping Storm" is a film about self-salvation. The writer found himself in the resistance, and the eavesdropper was saved in the glorious betrayal. "Eavesdropping Storm" also showed the audience another form of distance education in the Berlin Wall era-as long as you believe that people's conscience has not disappeared, then it is possible to turn the eavesdropped study into a classroom and the eavesdropper into a room. Disciple, let the monitoring records become class notes.
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Extended Reading
  • Fabian 2021-10-20 19:01:15

    The film of East Knossmark used a lot of on-site shooting in the East German office building, but the curator of the prison museum refused his request for shooting. reason? The curator said that because East Knossmark's script did not conform to historical facts: throughout the history of East Germany, the secret police "conscientiously found" like Weissler, I'm sorry, there is not one at all.

  • Eduardo 2021-10-20 19:01:15

    -I always feel that it's a little bit worse~ The episode where the uncle and the fat woman made each other broke me. . .

The Lives of Others quotes

  • Oberstleutnant Anton Grubitz: I have to show you something: "Prison Conditions for Subversive Artists: Based on Character Profile". Pretty scientific, eh? And look at this: "Dissertation Supervisor, A. Grubitz". That's great, isn't it? I only gave him a B. They shouldn't think getting a doctorate with me is easy. But his is first-class. Did you know that there are just five types of artists? Your guy, Dreyman, is a Type 4, a "hysterical anthropocentrist." Can't bear being alone, always talking, needing friends. That type should never be brought to trial. They thrive on that. Temporary detention is the best way to deal with them. Complete isolation and no set release date. No human contact the whole time, not even with the guards. Good treatment, no harassment, no abuse, no scandals, nothing they could write about later. After 10 months, we release. Suddenly, that guy won't cause us any more trouble. Know what the best part is? Most type 4s we've processed in this way never write anything again. Or paint anything, or whatever artists do. And that without any use of force. Just like that. Kind of like a present.

  • Georg Dreyman: The state office for statistics on Hans-Beimler street counts everything; knows everything: how many pairs of shoes I buy a year: 2.3, how many books I read a year: 3.2 and how many students graduate with perfect marks: 6,347. But there's one statistic that isn't collected there, perhaps because such numbers cause even paper-pushers pain: and that is the suicide rate.

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