The Lives of Others evaluation action

2022-01-25 08:03
The film "Eavesdropping Storm" has twists and turns, grasping the hearts of the people, and presenting a good story to the audience. The film does not end with a happy scene of reunion like the fairy tale analyzed by Prop, but leaves the audience with it. A touch of gratitude.
"Eavesdropping Storm" is a serious and reflective film that continues the strong speculative temperament and unambiguous critical spirit of German films since the 21st century. The rather clever story frame enables the 132-minute film to maintain a high concentration of attention at all times. "Eavesdropping Storm" can organically blend ornamental and serious themes, which is no easy task nowadays. It wasn't until the end, which was highly restrained but uncontrollable, that the audience admired the author's ingenuity, and thus penetrated all the details in the film.
"Eavesdropping Storm" is a film about self-salvation. The writer found himself in the resistance, and the eavesdropper was saved in the glorious betrayal. "Eavesdropping Storm" also showed the audience another form of distance education in the Berlin Wall era-as long as you believe that people's conscience has not disappeared, then it is possible to turn the eavesdropped study into a classroom and the eavesdropper into a room. Disciple, let the monitoring records become class notes.
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Extended Reading

The Lives of Others quotes

  • Georg Dreyman: The state office for statistics on Hans-Beimler street counts everything; knows everything: how many pairs of shoes I buy a year: 2.3, how many books I read a year: 3.2 and how many students graduate with perfect marks: 6,347. But there's one statistic that isn't collected there, perhaps because such numbers cause even paper-pushers pain: and that is the suicide rate.

  • Hauptmann Gerd Wiesler: Madam?

    Christa-Maria Sieland: Go away. I want to be alone.

    Hauptmann Gerd Wiesler: Madam Sieland?

    Christa-Maria Sieland: Do we know each other?

    Hauptmann Gerd Wiesler: You don't know me, but I know you. Many people love you for who you are.

    Christa-Maria Sieland: Actors are never "who they are."

    Hauptmann Gerd Wiesler: You are. I've seen you on stage. You were more who you are than you are now.

    Christa-Maria Sieland: So you know what I'm like.

    Hauptmann Gerd Wiesler: I'm your audience.

    Christa-Maria Sieland: I have to go.

    Hauptmann Gerd Wiesler: Where to?

    Christa-Maria Sieland: I'm meeting an old classmate. I...

    Hauptmann Gerd Wiesler: You see? Just now, you weren't being yourself.

    Christa-Maria Sieland: No?

    Hauptmann Gerd Wiesler: No.

    Christa-Maria Sieland: So you know her well, this Christa-Maria Sieland. What do you think - would she hurt someone who loves her above all else? Would she sell herself for art?

    Hauptmann Gerd Wiesler: For art? You already have art. That'd be a bad deal. You are a great artist. Don't you know that?

    Christa-Maria Sieland: And you are a good man.

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