The Lives of Others evaluation action

2022-01-25 08:03
The film "Eavesdropping Storm" has twists and turns, grasping the hearts of the people, and presenting a good story to the audience. The film does not end with a happy scene of reunion like the fairy tale analyzed by Prop, but leaves the audience with it. A touch of gratitude.
"Eavesdropping Storm" is a serious and reflective film that continues the strong speculative temperament and unambiguous critical spirit of German films since the 21st century. The rather clever story frame enables the 132-minute film to maintain a high concentration of attention at all times. "Eavesdropping Storm" can organically blend ornamental and serious themes, which is no easy task nowadays. It wasn't until the end, which was highly restrained but uncontrollable, that the audience admired the author's ingenuity, and thus penetrated all the details in the film.
"Eavesdropping Storm" is a film about self-salvation. The writer found himself in the resistance, and the eavesdropper was saved in the glorious betrayal. "Eavesdropping Storm" also showed the audience another form of distance education in the Berlin Wall era-as long as you believe that people's conscience has not disappeared, then it is possible to turn the eavesdropped study into a classroom and the eavesdropper into a room. Disciple, let the monitoring records become class notes.
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Extended Reading

The Lives of Others quotes

  • Georg Dreyman: You know what Lenin said about Beethoven's Appassionata, 'If I keep listening to it, I won't finish the revolution.' Can anyone who has heard this music, I mean truly heard it, really be a bad person?

  • Paul Hauser: [playing a record because the Stasi have bugged his flat] I foolishly rehearsed my speech for the West in here. Since then, I've become very musical.

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