Although the film has not regressed in terms of visual effects and entertainment attributes, its creativity and freshness have obviously faded, and the creative concept is outdated. Many viewers have expressed that they are tired of playing tricks, preaching rationally, and forcibly reversing the plot
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The film is not as interesting and eye-catching as the more satisfying series. This film is procrastinated and sometimes boring. It is easy to let your thoughts drift to other places, such as family, deadlines, chores, lack of creativity in large production companies, and it is very casual to child audiences, and is essentially very Corrupt business development. In other words, the difference between this film and the better Lego movies is that it is more like a great commercial
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The film repeats many very interesting visual highlights of the previous work, but it turns out that even though the script was completed by the original screenwriter and director Phil Rhodes and Christopher Miller, every repetition and lack of inspiration in it is Just like its title, it didn't bring any new and interesting things. The director of this film, Mike Mitchell, was eager to please the audience, but it was breathless. All in all, it is very frustrating to see that this once-promising IP has become so commonplace
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The conflict between the two parties in the film changed from father and son to brother and sister, but it did not become a family-oriented family carnival movie. Instead, a lot of pen and ink was used to cater to the audience of adult fans. The theme of family carnival animation film and a large number of adult-oriented and fan-oriented content The contradiction caused the film to have no clear audience positioning. There are a large number of adult-oriented elements in the film that cannot be ignored: the massive borrowing of popular culture ignores the acceptance level of children's audiences, the plot stems for foreign characters are only familiar to the original fans, the lines that point to the current malpractice, and a large number of metaphors for the consumer society and cultural industry They are all tailor-made for adult audiences and do not take into account the experience of children audiences. As a cinema movie, it surprises the audience because of its brave attempts and breakthroughs. However, due to the neglect of positioning strategies, it has not successfully converted passers-by audiences, failed to balance the needs of family audiences and fan audiences, and neglected children and other audiences. The feelings of a family audience with children as the core. From a fan's point of view, the completion of amazing; but from the point of view of passers-by, the film tells the parent-child relationship is not suitable for children, which in itself is very weird in
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