In addition to inheriting part of the dark style of "Blade Warrior", the film also adds rich, gorgeous scenes with a European background, and the British gentleman charm hidden in the film background. These two points are rare and minority tastes in Hollywood movies with a strong western cowboy style.
In the film, the first meeting between Alan Kaldman and the invisible man is the most interesting scene in the film, and the deliberately contrasting dark and gloomy skylights and bright interiors of the London market make the color of the film look on the big screen. It's still vivid. If it is worth watching for the unpredictable effects and the many unbelievable characters, the art processing of the film may need to reflect on whether there is any suspicion of being too late. The director of the film likes the black environment design, so the cities in the film: from London to Paris, to Venice, are all shrouded in thick black clouds. I don’t know if it was specifically designed to render the end of the world that the demon is about to destroy. feel. However, the visible traces of the setting and the downtown buildings that are not well-made and meticulous are incomparably clumsy after the details are distorted. The peeling and blurring of the environment and the relative distortion of details obviously contributed to the mood of the audience who could not fit into the story.
