"The Last Metro" is the representative work of François Truffaut's mature period of art, fully demonstrating his consistent vivid, tender and novel style. Truffaut’s directing technique is extraordinary. It is not so much a film that uses realism to reproduce history, but rather a comedy with an impressionistic style. Although many details of the film are based on the memories of newspapers and magazines of the time and some witnesses of the era, there is no trace of patchwork. The whole plot is almost always in the theater-the hall, stage, backstage, cellar and the street in front of the theater. The outside war almost only penetrated into the daily life of the theater through the insertion of the lens, constantly threatening the existence of the theater
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The Last Metro evaluation action
2022-01-16 08:02
Extended Reading
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Marta 2022-03-19 09:01:08
Well, a completely French way. . War, love, humanity, reason, art~~ I especially want to ask whether the French are really romantic and artistic like this? Even if the head bomber is hovering, he still has to rush into the theater to see a love story. . . The last part is really good, life is like a play and it is no longer clear which is the stage and reality~~~ PS: I love Deneuve's profile, so beautiful!
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Clarissa 2022-03-25 09:01:19
Using drama to reflect reality, Marion is indeed missing, lost in the choice of two men and life, and accidentally watched Truffaut's film again, only to feel that there are too many things in his film, including the Nazis. Resisting the confusion about love, etc. It takes a lot of energy to watch one.
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Daxiat: I am a paradox. I adore the theater. I live for it, and yet, I'm hated by most theater people.
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Lucas Steiner: Do you remember, Marion? Remember?
Marion Steiner: Remember what?
Lucas Steiner: The elevator in that department store.
Marion Steiner: Yes, I remember. I had the feeling everybody knew what we were doing. I was terrified.
Lucas Steiner: You were only terrified?
Marion Steiner: No, not only terrified.