The Lady in the Van evaluation action

2022-01-17 08:01
The film relies on a smooth, delicate, convergent narrative, calm lyricism, and witty language, making an old lady like a hard mirror, reflecting the life of the playwright, the life of the entire community, and even the spiritual world of the British. The film is not about the suspense of the heart and the lungs, nor the turbulence of emotions. It is very light, like a small snake swimming by in the pool, which induces the audience's emotions for the next moment, but there is no trace. The film embodies life, a trivial and ordinary life, emanating from the depths of daily life, without any artificial sense of story   .
The film tells the story of two "weirds", with a sentence or two of British humor interspersed from time to time. The color tone is like Shepard's old yellow-painted truck, with a lively and cordial worldly flavor. The two of them are hard-mouthed, noisy on the surface, but in their hearts they regard each other as confidants. This kind of acquaintance and interdependence gradually develops in the day-to-day getting along. Between friendship and family, it seems dull, but it is especially teary   .
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Extended Reading
  • Laury 2022-03-21 09:02:58

    ⒈ Accidentally found that this "Lady Who Lives in a Truck" has several actors that overlapped with "The History Boy" I just watched yesterday, so I came up with the idea of ​​watching the movie; ⒉ Bennett's kindness and patience are really worthy of praise, If I ever met someone like Margaret, I wouldn't be able to take such special care, of course, one of the things that Grandma Shepard deserves is that despite living in a van, she still lives on her own, rather than "sold as poor" on the street. begging!

  • Wilbert 2022-03-28 09:01:09

    Because the protagonist is a history boy, the author summoned a group of actors in the film, which feels a bit sad

The Lady in the Van quotes

  • Alan Bennett: So much of what this woman's life had been, I found out only after her death. So, to tell her story, I have occasionally had to invent, though much of it one could not make up. And I do not make it up when I say that it was on the morning after this talk, when she lay in the van with her hair washed, that on that same morning comes the social worker into the garden, bearing clean clothes, linen and ointment, and knocks on the door of the van. It is a van no longer. It is a sepulcher.

  • Rufus: [about the hearse] Well, it's a cut above her previous vehicle.

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