The twin brothers Ronnie Cray and Reggie Cray were raised by strong-willed mother Violet and two aunts after they were born. The two brothers grew up living among women and developed awe in women. In the 1950s, the Cray brothers, who had grown up, became ruthless and like violence. The Cray brothers took over a bankrupt billiard room in London and transformed it into a nightclub. Reggie fell in love with the young girl Frances and married her. This caused Ronnie's jealousy. He brought the bad news about Aunt Rose and interrupted Reggie and Frances' honeymoon. In the 1960s, the Clay brothers received the support of the lower class gangs in the United States, annexed the territory of their rival Maltese gangs, and expanded their kingdom. At this time, Frances was under heavy pressure from the surrounding underworld and couldn't get along with her mother-in-law. She became more and more nervous and depressed, and finally committed suicide. This was a big blow to Reggie. He suffered from depression and a nervous breakdown. In order to help his brother break free from despair, the two brothers attacked their enemies.
The Krays movie plot
2022-10-08 19:31
Extended Reading
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George Cornell: Well, well, well, all the pretty boys together, eh?
Steve: Piss off, Cornell.
George Cornell: How's your boyfriend, lately? Still in tears over his auntie?
Steve: You wanna watch your mouth.
George Cornell: You what?
Steve: I said, you wanna your mouth.
George Cornell: [grabbing him] Poofs don't warn anyone! You listening? You tell your fat poof friend he doesn't scare me! Oh, he's bringing over his Yankee friends from America, getting ideas a bit above his station, inn'he? Well, tell him he can own all he likes, but he's still tied to his mother's apron strings. OK? Goodnight, girls.
[he leaves]
Steve's Friend: You gonna tell Ron?
Steve: I don't think I'm gonna have to. Half the fucking pub heard him.
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Eddie Pellam: It's Cornell.
Charlie Pellam: Oh, what does he want? I thought he wasn't supposed to leave his coffin when the sun was up.
[Cornell storms into the scrapyard office, clutching a newspaper]
George Cornell: Those Kray brothers are getting on my tits.
[Charlie sends the secretary out]
Charlie Pellam: You know, Cornell, it's amazing you can walk at all with your foot in your mouth so much.
[Cornell throws his newspaper onto the desk. A photo of the Krays is on it with the titles "Krays join crime fight" and "Businessmen aid charity boxing night"]
George Cornell: You seen this?
Eddie Pellam: Well, surprise us, what is it?
George Cornell: Kray brothers, splattered all over the papers. Bloody heroes, they are! This to charity, that to charity, the other to charity.
Eddie Pellam: What does it matter?
George Cornell: What does it matter! You sit here in your little office crushing cars into little snotballs, what does it matter? I'm out there earwigging it on the street and what I'm hearing is Kray Kray Kray Kray Kray! The pavement stinks with Kray!
Charlie Pellam: What are you saying, Cornell?
George Cornell: You know damn well what I'm saying!
Charlie Pellam: Cornell, we've been through this a million times. The Krays are not interested in us. Course, they will be if you don't shut that megaphone of a voice box.
George Cornell: No, no, no. You don't know what they're saying about you, they're saying things.
Charlie Pellam: Things? What things?
George Cornell: Things. I say shoot the bastards. Shoot them. What are they, a pair of bumboys, let's put them out of their misery! A couple of movie gangsters! All they're interested in is what they look like! They make me sick! They're a pair of locusts! You won't have a thing, you won't have the pants you're sitting in unless we do something now. They walk down the street like Kings! King ponces, and you know why? They own the fucking street! So what I say is, bang-bang, all over, nice one. Nice and sweet, easy, end of aggro, OK?