The principle of Hollywood production of genre movies is similar to that of a kaleidoscope. It's just a few pieces of paper over and over, but a little turn around will change a new pattern, which will always make people's eyes dizzy. Movies with heroes as heroes are one of Hollywood’s best-selling genres in recent years. "The Incredibles" at first glance is dazzling and varied, but after careful aftertaste, it is not difficult to find that it is also a new pattern conjured by the kaleidoscope of comic hero films. Because the small pieces of paper installed there are still nothing more than "heroes with superpowers", "conspiracy", "bad guys", "heroes trapped", and "evil does not suppress righteousness." The "Super" film only moved the understanding of Superman, and the story took on a whole new look. (by)
Without the expected surprise at all, "The Incredibles" actually saw my eyelids drooping. Each of Pixar's previous works, from "Toy Story" to "Finding Nemo" in total, has been called the "revolution" of computer animation feature films. But it is this exhilarating "revolution" and this blind pursuit of "innovation" that makes Pixar overly indulge in the capillary of the lens, and innovate for innovation, while ignoring the audience's overall viewing experience and plot structure. Innovation. ()
