The Hot Chick evaluation action
2021-12-11 08:01
Films with the theme of "transformation" are not uncommon in the film world. However, "The Hot Chick", a comedy film with a modern American campus theme, is reminiscent of the fabled cartoon "Sloppy King" in the 1980s in my country. I think no matter how big the superficial gap between the two is, it cannot deny the deep similarity-"transformation" allows people to re-examine themselves from another angle, and it can be said that it is always a great way of self-examination. Opportunity is definitely an enduring good subject.
It's just that, under the processing of Rob Schneider this year, "The Hot Chick" is like a Hollywood product, adding innumerable vulgar jokes from the commercial era. Of course, in a society where gentlemen and hypocrites are increasingly scarce, practice has proved that these "vulgar jokes" are not really disgusting products. If you take the second place, as long as young people can really be outside the vulgar jokes, like the protagonist in the play, find that the vulgarity, money worship, and shallowness around them can occasionally return to themselves in a society full of temptation and money. It can prove that the film is really different. Perhaps from a certain point of view, this film is not just suitable for audiences in the US market
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Extended Reading
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Jessica (Clive): How come you didn't snitch on me?
Booger Spencer: Cuz you're my sister and I accept you for who you are.
Jessica (Clive): Come here;
[hugs him]
Jessica (Clive): You're such a little weirdo.
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Stan Thomas: If you ruin April's night, I will have you put away.