- Marlon Brando was originally considered to be the main guest actor in the flashback at the end of the film, but in view of the way Paramount treated him in the first episode of "The Godfather," he refused to film even if it was only for one day.
- Coppola originally planned to shoot Mike and his 18-year-old son Anthony in the final scene, but the shooting time was too late that day and the light was too dark, and this scene was not completed.
- Vittorio Storaro declined the invitation to be the photographer of the film because he felt that the film could not exceed the first episode of "The Godfather".
- De Niro's lines are basically Italian Sicilian.
- Lee Strasberg contracted an illness during filming, so the script was modified to change the character of Hyman into a weak old man.
- Hyman Ross is based on the real Jewish gangster Meyer Lansky, who is the godfather of the Jewish gang. After the film was released, he called Strassberg, "Why don't you act me more sympathetically? After all, I am now a grandfather."
- James Can asks him to play Sonny Krini in the end flashback, and he should be paid the same as he did in the first movie. As a result, he got his wish.
The Godfather: Part II behind the scenes gags
-
Pinkie 2022-03-22 09:01:02
The two lines are chasing each other, the people are betrayed, and the whole picture and narrative are much more beautiful with a double budget. The name of Coppola's screenwriter is ranked before Puzo, and the spirit is very strong. De Niro successfully reproduced the Malone style, a complete work.
-
Chelsey 2022-03-21 09:01:02
[A+] It's really an extremely great movie sequel: it can be said to be an unprecedented breakthrough in genre. It has both a prequel history of the first generation godfather's entrepreneurial history and a second generation godfather's rising record with a postquel performance. And the use of double-line parallel narration in the narrative makes the content further enriched. What’s more, the line of the first-generation godfather is often narrated corresponding to the psychological growth of the second-generation godfather, which further expands the dramatic tension and core tragedy of the film, and relies on the extremely elegant audiovisual language and the wonderful The montage transition realizes the dialogue between the two generations of godfathers across time and space. The ending is also embarrassing. The old godfather made a glorious achievement with his own courage by accident, but Mike is destined to walk towards an elegant and lonely king on the road of fate, lonely at this moment, lonely for life.
-
Fredo Corleone: Every time I put my line in the water I said a Hail Mary, and every time I said a Hail Mary I caught a fish.
-
Senator Pat Geary: I despise your masquerade, the dishonest way you pose yourself. You and your whole fucking family.
Michael Corleone: We're both part of the same hypocrisy, senator, but never think it applies to my family.