The Eel evaluation action

Federico 2022-04-24 07:01:23

The male protagonist was released on bail and opened a barber shop hoping to return to normal life. On the way, he met a desperate woman, and the two healed each other. A flat, pale redemption story. The ideas of some details are good, but they are not presented enough. Treating the eel as a friend is more of a kind of imprisonment, and the final release is also to liberate the male protagonist himself - no development; the male protagonist is guilty of himself. The positioning and the ambivalence of coming forward to protect the heroine - did not unfold; the two themes of jealousy and forgiveness - did not unfold either. The male protagonist runs through the whole film's psychology (why raising eels), and it should be gradually enriched with the plot, instead of saying it all at once, exposing the film's intentions too much, which is not a good expression. The sub-line is what happened to the heroine, but that has nothing to do with the main line of the male protagonist. The heroine looks like an outsider no matter how she looks at it. Her interactions with the hero are very cheap. The so-called different side of human nature is nothing more than jealousy. Every turning point, like the female protagonist knowing the male protagonist's past, the male protagonist's re-entry to prison for the female protagonist, etc., are also very absent-minded, only the scheduling of a few long shots of the fight is not bad, but it is also overused. .

Emmitt 2022-03-19 09:01:09

Isn't Imamura Shohei that the taste is heavy in the legend, but this film is really warm. . . Especially at the end. It’s quite interesting to use the migration of eels to compare the relationship between people.