The film was the most successful in the first half of the film. The director portrayed the war-torn and complicated London from the interesting side, and to a large extent showed a good time. But this frivolous courage and drunken challenge to the impending tragedy cannot last long. The quadrilateral relationship of love must collapse like any complex relationship, and it is here that the film becomes muddy. Despite the interesting and dreamlike quality of the first act, it gave way to a dull and boring ending.
"The Edge of Love" examines a four-way emotional collision. Although the drama of this era still has a few merits, in terms of tune, it is all over the world, changing the direction between artistic stylization and boring, and sometimes it is almost artificial farce. The film is neither sharp enough to satisfy the audience of art films, nor can it provide mainstream audiences with sufficient sensuality in view of its depressed progress.
The film is annoyingly fragmented and underpowered, making it difficult to determine what it should be. The core of the drama is a sensational scandal in the life of the poet, but the film is very slow for one simple reason-the Welsh accents of all actors except Reese are fake. However, despite this, because of Reese's natural demeanor and humorous conversation facing the camera, this movie is not a complete waste.
