"The New Yorker" film critic Anthony Lane: Christopher Nolan's new film, after the shooting in Colorado, began to make people sober-how to control the scale of movie violence, and the issue of gun control in American society , Seems to have been brought back to the table for discussion with this movie. More importantly, the shooting incident greatly reduced the fanatical worship of the movie by fans. In the past, people felt that Nolan adapted a set of best-selling comics into a philosophical superhero movie, showing an indescribable talent and magic, while this film seemed to burn out Nolan’s creation on the subject. The character of the villain Destroyer Bann’s character is not as good as the "Joker" played by Heath Ledger in "The Dark Knight". The fragmented plots in the film are too dense, causing the audience to feel that the whole movie is super long, that is That said, the film seems to be only available to Batman’s superfans, not the most ordinary audience. Generally speaking, "The Dark Knight Rises" is not a fast-paced work that is particularly easy to bring in.
"San Francisco Chronicle" film critic Milk Russell: "The Dark Knight" caused a sensation because of what the Joker did and Batman's plot to rescue the public. It is easily reminiscent of the 9-11 incident, "The Joker." It brought the audience the deepest fear, and the final mental breakdown of this character also greatly enhanced the humanity of the movie. In contrast, the "big background" embodied in "The Rise of the Dark Knight" is the financial crisis-you know, the financial crisis is a complex proposition, and it is continuous, and the attention of the public is obviously not as high as that of 9-11. This kind of city disaster, this is also the reason why Bann the Destroyer did not break out of shock (Bann's dubbing is a failure, it sounds like Scooby-Doo). Undoubtedly, the first half of the film is quite interesting, but starting from the middle, the rhythm and mood are all down, and there is no memorable emotional sublimation at the end, and the climax scene is slightly mediocre.
"Village Voice" film critic Nick Pinkerton: The primary theme of the "Batman" series of films has always been moral issues and social order, but even if this work continues this theme, there is no higher level of leap-relative Yu Nolan’s previous whimsy, the film seems to have too much story clues, and the feeling of lifting the weight is much less.
"The New York Observer": Both the story and the characters are pale and weak, and there is no real meaning in the slightest. The film looks like a bottle of rejuvenating milk. IMAX has certain limitations. When the film enters a non-IMAX section, the screen cannot fill the entire screen, just like a widescreen movie has become a masked format, with a slight flaw in the conversion. However, if the entire scene is filmed with IMAX, then the production cost is destined to soar a lot. This is a particularly important issue for Hollywood, which has extremely strict budget control.
"Chicago Tribune": How gorgeous and magnificent "The Dark Knight" is, and how absurd and ridiculous is "The Dark Knight Rises". Bann does have a more lethal fighting ability than Batman. However, although we expect the performance of this villain to surpass the "Joker" in the upper part, the classics are classics after all, and it is not easy to copy the classics, perhaps Heath Ledger The performance that year was too perfect, sweeping the best supporting actor awards in major American film awards including the Oscars and the Golden Globes, making Tom Hardy's performance relatively inferior. The mask concealed his expression of expression, and The flaws in the dubbing also make the character display of the character a little single.
