The Conformist evaluation action
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America 2022-03-19 09:01:07
Back then, Bertolucci was very skillful in mirroring, and the lens was as smooth as a serpentine snake, sometimes with his head up and looking down, and sometimes patrolling around. It was noted that there were a lot of deep-field shots that made the sense of space stronger. However, some scene transitions always leave me unconscious, and the protagonist’s inner digging is somewhat of a stream of consciousness, and it is difficult to concentrate when watching. Since Bertolucci always combines sex and politics, politics always seems a bit ambiguous. recommend-
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Bernadette 2022-03-25 09:01:15
Childhood trauma throughout the protagonist's life seems to be the norm in Bertolucci's films. Marcelo's discussion with leftist professors on Plato's cave theory, as well as the shadow that disappeared without a trace after opening the window, gave the audience a hint to grasp the subtle psychological state of the characters in the blurred light and shadow. Maybe you and I are just accomplices who don't know it, and even Mussolini's resignation has not been able to wake up, holding a banner high and laughing together again. Bold and full of metaphors, it's worth seeing again and again.
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Giulia: Marcello, don't go out. They could hurt you.
Marcello: I won't be in danger. After all, what have I done? My duty.
Giulia: But why do you want to go?
Marcello: I want to see how a dictatorship falls.
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Giulia: [sexually aroused while kissing Marcello on a couch] If you want... want to...
Marcello: If I want to...?
Giulia: Yes, right here... on the floor... on the carpet... Want to?
Marcello: Better think about the priest. He may not grant absolution.
Giulia: They grant everyone absolution.