The film focuses on suspense rather than fighting, so the fighting scenes are not large and not exciting. Moreover, the identity of Liam Neeson in the film is also very embarrassing. It is an awkward state that can be played but not very capable. The only game in the film that is a bit impressive is Liam Neeson's fight with a killer. The director used a long shot from the end to the end, but it made the audience a little bit hilarious
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The story pattern of "The Commuter" is not big, and more than 90% of the stories take place on a train. The power of the film lies here. It uses a limited space to complete an efficient and complex narrative, using a suspenseful reasoning story to criticize class and power
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