In the 90th Oscar-nominated animated feature film, although it is not the best one, it bravely and uniquely uses the shoulders of animation to shoulder the righteousness of the world. The story is about the miserable world, but it is more than miserable. It also tells the bright mind in suffering, in the world of positive and negative collision, radiating moving brilliance. The contribution of the film to the world is that it brings the most desperate life in the distance, the smallest existence, and the simple and concise animation to live in front of people. Of course, this story can also be filmed in real life, but the more "intentional" hand-painted, unexpectedly assumes a broader and more transparent narrative. In the light and shadow of the animation, people once again read closely the blood and tears of Afghanistan, understanding the life that has no way out in this world, another kind of weights and measures of joys and sorrows, so humble and so powerful
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The Breadwinner evaluation action
2022-01-17 08:01
Extended Reading
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Treva 2022-03-23 09:03:02
It makes more sense to speak than to raise the volume. After all, it is rain that nourishes the growth of flowers, not thunder. It seems to be talking about women's rights everywhere. In addition, it also implies from the male role that everyone's yearning for rights, fear and confusion under the Taliban rule. At the beginning, I mentioned "What's the use of stories?" And people always have a story in their lives, maybe that's the best motivation to keep going. Ocean in the desert, hope in despair.
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Laverne 2022-03-26 09:01:11
I still prefer the animation of the old world. The protagonist does not have the aggressiveness and hyperactivity produced by Disney, nor does it have so many high-tech stacks. The form is simple, but it can better understand the terrible religious atmosphere and the complexity of human nature. Stories can tame elephant kings, and writing can move gangsters. Although naive, ordinary people can only rely on these fantasies to relieve their grief. The streets are changed by blocking, and the narratives are connected by myths, which are all great.
The Breadwinner quotes
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Parvana: But I'm not a boy!
Shauzia: You're not a boy, you're not a girl.
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Parvana: Artesh. I remembered my name. It's Artesh.
Shauzia: That's not really a name.
Parvana: It means fire.
Shauzia: I know what it means, but it's still not a name.
Parvana: Then it suits me fine.