The Bad Sleep Well evaluation action
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Camryn 2022-03-19 09:01:08
The photography is almost perfect. I thought "Wild Dogs" had reached its peak, but from the beginning to the end, almost every shot of this movie was extremely beautiful. It is said that Akira Kurosawa studied Hollywood, but there is no Hollywood three-shot method in Akira Kurosawa's movies. The scene scheduling and lighting are completely emotional. The sound processing is very solid, and it's all on the rhythm point, not procrastinating, not rushing, and in place.
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Bettie 2022-03-19 09:01:08
7/10. The overall unrestrained deliberate dragging is caused by excess craftsmanship. Old Hei has become more adept at the combination of widescreen and voice-over. The group image scheduling in the space produces contradictory dignity, which is unforgettable. However, the excessive focus is on the details and the characters to shape the soul. Historically, the thrilling and twists and turns of reasoning crimes in the suspense category have never been more attractive than this kind of lengthy and cumbersome information display. Punishment must first blacken itself, and any conscience discovery in the process will turn it back.
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[Nishi drives Wada to the funeral service- his own. Nishi wipes the rain from the windscreen so Wada can look. Wada peers over the dashboard. It is really a magnificent funeral, with wreaths, candles, a picture of him mounted on the top of a wonderful display, and co-workers bowing solemnly. Wada is aghast to find his wife and daughter at the funeral]
Assistant-to-the-Chief Wada: Why... why are you doing this to me? This is sheer torment! I'd rather be dead!
[He begins to sob]
Assistant-to-the-Chief Wada: Please, let me die. I have to die! Wasting this fine funeral-!
Koichi Nishi: Calm down, now. There's something I want you to hear. You've been to Noir, right? The bar run by Moriyama's mistress?
[He takes out a large tape recorder, disguised as a valise]
Koichi Nishi: This is Moriyama and Shirai talking there last night.
Contract Officer Shirai: [over the tape recorder] What, you came to this kind of place? And so soon after getting married?
Koichi Nishi: [over tape recorder] You've caught me red handed. I'm ready for a dance.
Administrative Officer Moriyama: [over tape recorder] Now, now. No need to rush off.
[Moriyama and Shirai laugh]
Koichi Nishi: [to Wada] That's when I placed a briefcase with this tape recorder inside it under their table.
[He shuts the tape off]
Koichi Nishi: I'll play their conversation for you after they arrive at the funeral.
[He starts whistling a tune]
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Public Corporation President Arimura: Nishi's future prospects glow brightly indeed. As for his lovely bride, Yoshiko, she is a talented alumna of Keitoku Girls School and is not only exquisite, but also a rare paragon of unsullied innocence.