In ordinary Hollywood movies, the narrative sequence of the unfolding love story is: unexpected encounter, unhappy and separated, then unexpected encounter again, followed by the true love sequence. Under normal circumstances, after the end of the period of getting along with each other, the protagonist and heroine of the film will get married before they have a child, and the director will usually stop here. But in director Alan Paul's big screen debut, he wants to put the result of having a baby before unexpected encounters. What kind of "wonderful" effects will this bring to the film?
In Paul's eyes, pregnancy and having children are the finishing touches of this romantic comedy. He said: "If we shoot a love story in the usual order, it will definitely be boring and mediocre. Because the big screen is already flooded with so many urban romantic comedies like this. But if we laugh It will be much more interesting if the woman meets the person she loves after she is pregnant. It can be said that'pregnant before love' is the essence of this film, and all subsequent stories and jokes are developed around this plot "In the film, Zoe, an urban older unmarried woman played by J.Lo, wanted to experience the taste of motherhood, so she went for artificial insemination. On the day of fertilization, she met a man who was "very good". J.Lo said: "The Zoe I play is an independent woman with a certain economic status and independent opinion. In her opinion, it is not necessary to have a man to have a child. She can do a small artificial insemination. However, what happened later made her wonder whether her actions were sensible. She even said when she proposed to her boyfriend, would you like to be the father of the child in my belly? All the contradictions in the plot When the man accepts the child in Zoe’s belly, almost all the jokes come from the child in Zoe’s belly."
