This movie that makes people "fall in love" is produced in France, which is famous for its abundance of love. In the film, we fully understand why French-style love can lead the world by storm-because love is the origin of their philosophy of life. Their vast emotional space is full of pure love qualities.
But French love is indeed "very" elsewhere: Max and Riza Hawkeye fell in love at first sight, and they entered the realm like a raging fire when they first met, but what is strange is that Riza Hawkeye was inexplicably inexplicable afterwards. disappeared. A year later, Max had a new girlfriend, and the wedding was about to be held. At this moment, Max accidentally found Riza Hawkeye. The fire of love that has never been extinguished is ignited again, and Max starts desperately looking for Riza Hawkeye. At Riza Hawkeye's residence, Max was waiting for a girl named Riza Hawkeye, but Max was "involuntarily" involved in the overnight romance with this girl, also named Riza Hawkeye. This movie will make people fall into the clouds at first, but it also constitutes a strong sense of suspense at the same time. Because in the narrative form, the story uses a double-layered latitude and longitude space: at the moment Max’s wedding is about to be held, he found Riza Hawkeye’s traces by accident and began to track them, and met another girl who claimed to be Riza Hawkeye as longitude. Space; while the latitude space is Max ’s memories of meeting Riza Hawkeye, and even as sudden as lightning -like love, as well as the memories of how the girl who called herself Riza Hawkeye met Riza Hawkeye and Max.
This superimposed narrative structure is really ingenious in the technical processing of space conversion. For example, in front of a misty glass, Max gently wipes the mist of boiling water with his hand, a "past tense" Space gradually emerged; another example is that Max came to the old site where he and Riza Hawkeye first dated. It is already a late autumn season. The fallen leaves are flying, and the singing of a group of children slowly comes in Max’s sight. , With the children's fast running footsteps on the colorful falling ground, they naturally transformed into the footsteps of children in the white snow: It was a sweet date in the past, but it is not what it used to be. The change of seasons seems to be a metaphor The impermanence of love, everything seems to be on the Lost Horizon for an instant , without a trace, leaving only melancholy and loneliness. The clever use of the lens, like the flowing clouds and flowing water, naturally and slowly reveals the unpredictable clues and even the last of things. The truth is, this way of telling stories not only shows the talent and cleverness of the directors, but also reflects their "extraordinary" feelings and vision of love and humanity.
The sense of suspense created in the story, and the charming charm it exudes, makes us willingly or even eager to follow its steps, step by step to the end of the story. In the end, it is not Max that makes us sigh. It was the girl who claimed to be Riza Hawkeye.
Who would have imagined that she was such a girl in advance? She designed to enter Riza Hawkeye’s life purely out of curiosity about Riza Hawkeye’s love life and become her good friend. At the same time, she was also She made up the misunderstanding between Max and Riza Hawkeye by herself and separated them from each other. Then she chose the most wonderful way to hold Max in her arms, but what Max never expected was that she turned out to be Mike. Lucian’s friend, Lucian’s lover, but the woman became Lucian’s lover only to capture Max as her own. It sounds like this girl who claims to be Riza Hawkeye is actually Alice is like a scheming bad girl, but it is not.
If the story is told in this way, it is obviously not "very elsewhere". Through Alice’s attitude and behavior throughout the progress of the story, we enter the secret world of a girl’s truest emotions: Alice’s romantic love with Riza Hawkeye is not only curious, but also not inhuman. Jealousy, it is this kind of jealousy and curiosity that arouses her enthusiasm for Max. At this time, Max who enters her fantasy space is actually a fictional existence by her self (imaginary Max), not a real one. Existence, so conquering Max has actually quietly transformed into conquering the loneliness and unconfidence of his own heart, which also implies the conquest of another girl (Riza Hawkeye). In this kind of double conquest, a girl often obtains a desire for another man and even love, but in it, there are more than just factors that can be included in love. This is the complexity of love to human nature.
But when everything was presented as designed, Alice could only choose to escape-because she found that in the end she not only deceived others, but also hurt herself.
This movie opens up a girl’s inner world in a unique way, from which we can see the secret of a girl’s "very" human nature, but her "very" is indeed not in the normal secular space (our moral perspective) In), but elsewhere, a "very" other place: there are many rich emotional secrets that we may not know. It may be non-moral, but it is human.
