Ami Canaan Mann has a rare masculinity in the movie. Although it is based on two male detectives as the protagonists, except for some very subtle details that express the delicate emotions of women, the director is basically from the perspective of two male detectives. Look at the various processes of events from a perspective. It also tried to reflect the current situation of the town from the visual angle of Lori. These two visual angles are intertwined in the movie. The director tried to show the reality of the town from two different angles: the pursuer and the victim, and in this way tried to establish the exposure of the deep social background behind the case. The starting point is good, but in the framework film "Texas Killing Fields", this approach is too overwhelming, so it is counterproductive.
The film's well-designed moving lift lens, smooth editing, and the rough-grain film texture presented on the screen can make people feel the desolation and coldness of the whole film. However, the following events concealed the narrative, but the style did not show the characteristics of such special subjects.
