One of the biggest features of "鉄コン筋クリート" is that it carries the author's most social special sentiment, innocence and evil, black and white, dream and reality, reformation and innovation fully opposed, but coordinated. The root and root clues are intertwined, but clearly organized, making the plot twists and turns and intriguing. It is really rare for an animation work to have such a complicated and delicate task relationship, with ingenious connection and collision. This work makes an excellent use of lens language, from which we can see the director's unique understanding of the use of lens techniques from real movies in animation. In "鉄コン筋クリート", you can often see the characters almost falling out of the lens, but it highlights the characters themselves and strengthens the artistry and story of the movie. These exaggerated and visually impactful shots make people I vividly felt the passion in Matsumoto's heart.
"鉄コン筋クリート" is directed by Michael Arias (United States), but basically preserves the Japanese style of the original manga of Matsumoto Taiyo (the original manga author). "鉄コン筋クリート" first appeared at the Tokyo International Film Festival and became a masterpiece of Japanese theaters with its fresh style and ups and downs. "鉄コン筋クリート" is a theater animation adapted from a three-volume manga by Matsumoto Taiyo. The plot is complete and quite alternative, showing an amazing sense of vitality and density in less than two hours. "鉄コン筋クリート" is like a breath of fresh air, breaking through in Japanese animation, bringing a brand new style, making people shine.
