Sunset Blvd. evaluation action
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Frances 2022-03-23 09:01:24
Typical film noir. The play is perfect. The works of 1950 are still accurate and unique when viewed today. The design of the servant corner is chilling. The complexity of the heroine is also amazing. A person in a state of "manipulation" is full of possessiveness towards everything, and her life is "directed" into a strange tragedy. The mirror and the water in the swimming pool have become the carriers of metaphorical information. The actress's self-pity for the mirror is very much like the self-mockery of the Hollywood industrial system. While being manipulated by capital, she is increasingly caught in the possession and control of others, and benefits from it. People who are flashy in front of them will eventually be killed in the long-awaited swimming pool. Another joke in a special period: stay in the house for a long time, and you will be killed by people who stay in the house longer.
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Jacklyn 2022-03-21 09:01:23
Terrible, super scary atmosphere, probably the darkest Billy Wilder film noir. The protagonist's character and behavior are very complex, and it is not a disgusting parenting story in a simple sense. The two acting systems are perfectly compatible, and the performances of several actors are fantastic. The counter-record of the history of Hollywood's development must be quite courageous in the context of the times. The ending is shocking.
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Joe Gillis (as narrator): Well, this is where you came in, back at that pool again, the one I always wanted. It's dawn now and they must have photographed me a thousand times. Then they got a couple of pruning hooks from the garden and fished me out... ever so gently. Funny, how gentle people get with you once you're dead.
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[last lines]
Norma Desmond: [to newsreel camera] And I promise you I'll never desert you again because after 'Salome' we'll make another picture and another picture. You see, this is my life! It always will be! Nothing else! Just us, and the cameras, and those wonderful people out there in the dark!... All right, Mr. DeMille, I'm ready for my close-up.