Sunset Blvd. evaluation action

2021-10-21 12:59
"Sunset Boulevard" is one of the most outstanding noir films, and it reflects with a cold eye the guilt that Hollywood has grown after experiencing prosperity. Whether it is the creativeness of the form given to the film by the producer, or the depth reflected by the theme of aging and success, "Sunset Boulevard" has unearthed the most essential characteristics of the black film in these two aspects. First of all, the film adopts a deceased character to tell its past to frame the whole story. For the convoluted murder case in the film, it is obviously a unique attempt to hear a victim tell the story of the murder in person, compared to the traditional detective film. The narrative tone that is stuck in objective narratives and personal emotions, as well as another perspective that is independent of God’s perspective and the parties’ perspective, makes Sunset Boulevard add a sense to its own mysterious plot. Mystery. In addition, this paradoxical technique also brings a black humor effect to the  .
In "Sunset Boulevard", the voiceovers all come from the corpse floating in the swimming pool. Since the content and tone of the voice-over are commented in a cold-eyed manner, it gives the audience a third-person impression. During most of the development of the plot, the first-person inner monologue is not only closely related to the plot, but also full of emotional tangled psychological activities. The appearance of voice-over not only creates a self-psychoanalysis and introspection effect, but also allows the audience to easily enter the inner world of the character, and greatly deepens the connotation of the film. In addition, the film uses the same narrator’s voice to switch between the third-person narration and the first-person monologue, forming a great sense of irony  .
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Extended Reading

Sunset Blvd. quotes

  • Joe Gillis: What kind of a silly thing was that to do?

    Norma Desmond: [despairing] To fall in love with you, that was the idiotic thing.

    Joe Gillis: Sure would have made attractive headlines: "Great Star Kills Herself For Unknown Writer".

    Norma Desmond: Great stars have great pride. Go away. Go to that girl of yours.

    Joe Gillis: Look, I was making that up. Because i thought the whole thing was a mistake. I didn't want to hurt you. You've been good to me. You're the only person in this stinking town that has been good to me.

    Norma Desmond: [inconsolable] Why don't you just say thank you and go? Go! Go!

    Joe Gillis: Not until you promise to act like a sensible human being.

    Norma Desmond: [weeping] I'll do it again! I'll do it again! I'll do it again.

    Joe Gillis: [as band starts playing Auld Lang Syne] Happy New Year, Norma.

    Norma Desmond: Happy New Year, darling.

  • Norma Desmond: You must forgive me for calling you so late, but I really feel it's my duty. It's about Mr. Gillis. You do know Mr. Gillis? Exactly how much do you know about him? Do you know where he lives? Do you know how he lives? Do you know what he lives on?

    Betty Schaefer: Who are you? What do you want? What business is it of yours anyway?

    Norma Desmond: Miss Schaefer, I'm trying to do you a favor. I'm trying to spare you a great deal of misery. Of course you may be too young to even suspect there are men of his sort. I don't know what he's told you, but he does not live with relatives. Nor with friends in the usual sense of the word. Well, ask him. Ask him again.

    Joe Gillis: [grabbing the phone from Norma] That's right, Betty. Ask me again. This is Joe.

    Betty Schaefer: Joe, where are you? What is this all about?

    Joe Gillis: Well, better yet, why don't you come out and see for yourself? The address is 10086 Sunset Boulevard.

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