"Suchwiin bulmyeong" is the work with the most characters and the most complex narrative in all of Ki-duk Kim's works, and it is also the most direct realistic work. Expressed with the most expressive and specific stories. ()
The film is a contradictory film. It is obviously a small Korean village full of warmth, but there are always cruel images that subvert your feelings; it is obviously full of violent scenes, but it can make you feel Long-lost warmth. ()
The director once again passed the heart-piercing pain to the people through the picture, which made people's hearts unable to calm down for a long time. This is a movie directed by angry youths, and it is also a movie only suitable for angry youths, because only angry youths can understand the director's love for his country, his hatred for his own country, his expectations for society and the flogging of the next generation. Ki-duk Kim not only uses the three protagonists to refer to Korea's past and present, but also mercilessly satirizes the servile thinking that Korea has produced as a century-old vassal state in the film. ()
"Suchwiin bulmyeong" is South Korean director Ki-duk Kim's great work in 2001. The so-called great work does not refer to the production, but to the historical background, complex character relationships, and ups and downs of life changes that he describes. We can also see from it. To the director's ability to control the role. The film involves many characters and complex relationships, but the story can develop smoothly in a stable narrative, and each character has a distinct personality, which is utilitarian. The Korean society of the era is shown through the changes of a family. The US military bases and US fighter jets that continue to appear in the film are the signs of that painful and ambiguous era, and the director has always been good at expressing the characters' distorted mentality in a desperate situation. The most incisive, many of the cruel scenes are still amazing, people can't help but reflect on that bloody history. (
)
