"Spy Game" is a rare film, with rich levels of music. In addition to the traditional oriental instrument erhu and the vocal coordination with regional characteristics, the use of Celtic harp and tribal bagpipes is also quite commendable. They rely on each other to complement each other, seem to be able to increase the tension of the plot, and create a mysterious and unpredictable tension from the outside. "Spy Game" is definitely not the earth-shattering you think, but the hidden musical connotation is definitely worthy of repeated taste.
"Spy Game" directed by Tony Scott is all about style and surface. The editing is rushed and flashy. You can see similar things in fashion ads; rhythmic date lines indicate time and place. The film replaces human nature with quirks; there is no sense of time at all, and a single shot of more than 20 seconds is rarely used in the film to dig deeper. This film neither has the weapons exhibitions and speeding cars of ordinary spy films, nor the details of the operations of spies like mountains and mountains, or even any suspense.
