"Pokot" presents a huge mystery: With every character dying unnoticed, it's easy for audiences to be drawn into this suspenseful storm of murder in search of the real killer. Every victim was a local hunter, and there were traces of animals following each corpse, but no matter how the police investigated, they could not find any clues. Duszeko is, in a way, a mountain village version of Erin Warnos, a character that fills Pokot with a dark atmosphere, all kinds of haunting It erupted gradually as the plot progressed.
In the second half of the film, it's hard to find more viewing pleasure in Pokot -- it's not a murder story like an Agatha Christie detective, and it doesn't let the audience learn from the details. Find clues, discover the truth, and finally collage the story fragments together completely, but only rely on the protagonist's gradually out of control emotions and the audience's intuition to construct the appearance of the whole story, so it is difficult to find true from this film. 's climax.
Objectively speaking, "Pokot" does not show the tension of American drama, and the plot thrust is slightly lacking, but the core of the story is still what Holland is best at - men are hunters, religion gradually becomes a lie, it hypocritically Grace and respect for the creatures created by God, but animals are always unavoidable to be killed, while women are passive and secretly resist in their own way. The actress Agnieszka Madot Gabaka, who plays Duszeko, accurately interprets the psychological state of a woman's love and anger, but unfortunately the film's dramatic elements are not rich enough to make this a reality. The horns radiated dazzling light
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