Spider-Man: Into the Spider-Verse Production Process

2021-10-18 09:27
After careful consideration, the film’s creators decided to enable motion blur technology. Most of the pictures in the film maintain two frames instead of the usual one. The frame rate in this film is not twenty-four pictures per second, but twelve pictures per second. In addition, the creators combined the printing techniques of Spider-Man comics in the 1960s with advanced CGI technology to create a unique visual style. In fact, the drawing of each frame in the film takes four times the time of traditional animation film drawing.
The director of the film needed to make some "hands and feet" on the light of the lens in order to create a comic style in the film. It is possible for a character to show only black contours and only shallow contour light. Use the shape of the shadow and a trace of light to describe the character.
The special effects team of the film experimentally added the "pulse interference" special effect to the film. As Spider-Man from other parallel universes come to this world, space earthquakes often occur, and such impulsive interferences appear in characters, buildings, and vehicles, creating a three-dimensional and fragmented visual experience.
The visual development and image synthesis team of the film used silk screen technology to make the venom impact special effects of 2D animation style, and put it in a 3D environment to show the visual style.
The film draws heavily on the performance techniques of comics, and speech bubbles, monologue bubbles, exaggerated onomatopoeia, etc. can be seen everywhere in the film. In order to pay tribute to the comics, the creator of the film deliberately retained the inaccurate coverage of the color blocks when the previous black and white comics were printed, which caused the color blocks in some corners to be out of range. In addition, the film makes extensive use of dot effects commonly found in comics. The flashback clips in the film are creative from the comics of female Spider-Man Gwen. The creation team of the female Spider-Man Gwen comics also participated in the production of the film.
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Extended Reading
  • Hipolito 2021-10-20 19:00:24

    This movie is advanced, like falling into a gorgeous kaleidoscope, indulging in the colorfulness and unable to break free, just like playing video games with headphones, stepping on the beat every step, dizzy, dizzy, ears, whites, Africans, Asians People, even the pet world and mecha world are pleased. They must have imagination, characters and characters, three views and three views, good-looking, good-sounding, and fun. It may be the best animated feature film for next year’s Oscars.

  • Lyda 2022-03-21 09:01:14

    3.7 stars. It's cool but not that fucking cool. 1. The comics are full of style and dazzling. 2. The official complaints are full. 3. After the collection of all versions of Spider-Man, the style of painting changed suddenly, and I felt like watching Wang Zuxian, Zhao Yazhi, Jia Ling fight Fahai. 4. The setting of the Spider-Man collection is actually the same as that of the Disney Princess collection, but the latter is definitely more shocking to passersby than the former. This large collection is actually more to satisfy the wishes of comic fans. 5. I have always been indifferent to the setting of the "parallel universe" in the comics industry. The commercial operation means a lot.

Spider-Man: Into the Spider-Verse quotes

  • Peter B. Parker: [to Miles, after he lost his uncle Aaron] We've all been there. For me, it was my uncle Ben.

    Spider-Man Noir: For me, it was my uncle Benjamin.

    Peni Parker: For me, it was my father.

    Gwen Stacy: For me, it was my best friend.

    Spider-Ham: Miles, the hardest thing about this job is you can't always save everybody.

  • Miles Morales: Gosh, don't cops run red lights?

    Jefferson Davis: Oh, yeah. Some do. But not your dad.

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