Songs from the Second Floor behind the scenes gags

2021-12-30 17:17
The story of the film may have to begin to recognize the circumstances that make us powerless, and we ourselves have to be held accountable. I believe that the way of life of Westerners inhibits the development of people's potential. When you watch this film, you should understand how stupid human behavior is. Disorders cannibalize people, and the situation is getting worse.
There is little dialogue and no obvious story line, but black humor permeates every detail. Life is ridiculous. Drunken women keep slipping from stools, well-dressed men keep vomiting, blindfolded girls walk on the log bridge and fall into a stone pit. These details seem meaningless, but they make people laugh. The film reveals the charm of Bunuel and Kaurismaki. The first half is quite masterful, but after the novelty, it still lacks stamina   .
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Extended Reading
  • Evalyn 2022-04-21 09:03:02

    4.5, it would be a waste to "interpret" Roy Anderson's films as absurd satires only. Although there are many implied humors, allegories and various references in each scene, they are not presented in text, but are based on the beautiful and interesting spatial scheduling in fixed shots, and the narrative and depth of field at various levels Movement is often combined with the division of sound and picture to complete sensory mobilization. Naturally, when watching movies, you should first focus on "seeing" and "listening".

  • Renee 2021-12-30 17:17:16

    Personality mask-like shapes, dramatic story conflicts, and unconstrained movie structure-the trilogy is watched together: because it is a 20-year movie classic, it is the first time to see the director's work with a handful of votes.

Songs from the Second Floor quotes

  • Kalle: What can I say? It's not easy being human.

  • The speechwriter: My approach was a rather philosophical one. About being human year after year. This is how I see it. Life is time, and time is a stretch of road. That makes life a journey, a trip. Don't you think so?

    Stefan: Yes. I guess you could look at it that way.

    The speechwriter: Yet in order to travel you need a map and a compass. Otherwise you wouldn't know where you were. Would you?

    Stefan: No.

    The speechwriter: And our map and compass are our traditions. Our heritage, our history. Aren't they?

    Stefan: Yeah, sure.

    The speechwriter: If we don't understand this... Before we know it, we're fumbling around in the dark. Where are we?

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