The film is not a biographical or romantic movie in the traditional sense. It uses the protagonist’s emotional experience to think about the relationship between love and pain in a multi-dimensional way. In a deeper sense, it explores and presents the growth of men throughout their lives. The film sets up many binary oppositions, such as Lewis and his brother, Joey, a student who has abandoned school, Joey’s son Doug, Joey and Lewis, and his son, and the unappeared American husband. These related characters are not It only constitutes interpersonal relationships, but has the characteristics of mutual shadow. You have me in you, and you in me. They cross each other and reflect each other, including cutscene characters and supporting roles are also very important. For example, the little boy, Doug, seems to play a role in relevance and embellishment of the plot, but he shoulders the important task of portraying the protagonist and explaining the theme. Elementary school student Doug and university professor Lewis, the two are like a mirror, reflecting the two periods of a man-childhood and adulthood, naive and mature, ordinary and outstanding, or they represent two sides of a person-Tao When Grid is Lewis’s past tense and Lewis is Doug’s future, the fusion of the two can constitute a complete image of childhood and adulthood.
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Shadowlands evaluation action
2022-01-13 08:02
Extended Reading
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Christelle 2022-04-23 07:03:42
Why do so many people regard this film as a profound and great work - it records the most extensive life experience and the most common life dilemma in the most prosaic style.
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Mike 2022-04-23 07:03:42
"Love needs to be spoken, and when the opportunity is missed, there is only loneliness"; "The pain then is part of the happiness now, The pain now is part of the happiness then. This is the deal."
Shadowlands quotes
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C. S. Lewis: Pain is God's megaphone to rouse a deaf world.
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C.S. Lewis: He comes; he sleeps; he goes. So the plot thickens.