The film language of "The Seven Deadly Sins" is unique and separates from orthodoxy. David Fincher focuses his attention on the dark places of human nature and society, and his image style is powerful and shocking. First of all, from the perspective of the film's narrative structure, the director did not shoot the seven cases and seven sins in stages, but started from the perspective of two detectives and gradually deepened. Most of the plot of the film is supported by the two leading actors. The contradiction of the film actually only appeared unexpectedly in the last scene of the film, but after it appeared, a large monologue was added immediately, thus smoothly highlighting its noness from beginning to end. The "illusion" everywhere. This film completely breaks the routine of traditional thrillers and gives an unprecedented line of lines to the contradiction. Although the purpose of the film is to explore the original sin in human nature, and it is based on seven incredible cases, the director has added a lot of dialogue plots between Miles and his wife, his wife and Samose, which seem to be related to the theme. The plots that are not very connected eventually become excellent materials to highlight the ending, and also highlight the theme from the side
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The second is the fit of film roles and characters. Freeman's open-mindedness and wisdom and Brad Pitt's boldness make them very suitable for the personality of the role they play. The screenwriter also created a unique contradiction in the film: John Du is proficient in classical literature, and the starting point for everything he does is to challenge this evil world. He finds a representative for each original sin, and then puts that person to death by poisoning him. In the large dialogue after he appeared on the stage, there was no profound theory, but the sentences were thought-provoking
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