-
The film was originally supposed to be filmed by Xinxian Film Company, but the two parties failed to reach a consensus on the shooting budget. In mid-1997, Anderson, Wilson, and producer Barry Mendel held an auction, and Joe Rose, then chairman of Disney Pictures, bought the rights to the film for $10 million.
-
When Anderson and Wilson created the role of Bloom, they were based on Bill Murray.
-
Anderson and Wilson were full of doubts about whether Bill Murray could see the script. Fortunately, Murray’s agent liked the movie "Bottle Rocket" directed by Anderson very much. He recommended the script to Murray. Murray liked the story very much. , He not only agreed to act in the lead, but he didn't take any money.
-
Considering that Bill Murray is good at improvisation, Anderson drew a plot board for each scene.
-
In order to find the most suitable actor to star in Max, the casting director of the crew interviewed 1,800 teenagers from the United Kingdom, Canada and the United States.
-
On the first day of the filming, director Anderson always communicated with Bill Murray in a low voice, because he was afraid of encountering the dilemma of being rejected by Murray. In fact, Murray respected Anderson very much.
-
When Disney refused to pay for the shooting of Max and Bloom’s helicopter scene, Bill Murray handed director Anderson a blank check to meet his urgent needs.
Rushmore behind the scenes gags
-
Daphney 2021-10-26 03:31:23
In Wes Anderson's second work, in addition to being easy and funny, the sorrow of life is also faintly revealed in it. (Admits himself) Precocious freak teenager vs. boyish tycoon, a beautiful teacher drew the two to bend. The passionate spirit of daring to think and act in a young age and fighting against each other is vividly reflected in the film, just like the obsession of creating an aquarium and the crazy act of performing the [full metal shell] Vietnam War blockbuster on the stage. Jason Schwartzman played really well (this was his screen debut), Olivia Williams was beautifully shining, and Bill Murray's revenge for breaking a teenage bicycle and locking it back in place was fascinating. Hold a belly. The obsessive-compulsive symmetry composition and candy fairy-tale color scheme in Wes Anderson's later works are not yet noticeable in this film, but the playful and rich soundtrack (mostly old songs from the 6th and 70th), and the overhead shots of small objects , The formal chapter transitions (various curtains) and the preference for letters are purely Weiss style brushwork. (8.5/10)
-
Brett 2022-04-23 07:01:27
we all were young, have u forgotten?
-
Max Fischer: Your mind's as warped as your ear, Magnus.
Magnus Buchan: Don't Get Nasty, Brother.
-
Herman Blume: Why did you ask me to come here?
Max Fischer: Oh, I was going to drop that tree on you.
Herman Blume: That big one?
Max Fischer: Yeah.
Herman Blume: It would've flattened me like a pancake.