Rosencrantz & Guildenstern Are Dead evaluation action

"Rosencrantz & Guildenstern Are Dead" has a strong theatrical stage style, and has a novel sense of absurdity in its performance techniques. Director and screenwriter Tom Stoppard integrates his dramatic talents and linguistic talents into deconstruction in a philosophical context, and reconstructs a seemingly familiar but completely new "irrational world" in the form of rationality. The opening, climax, and ending were all used by him to create a variety of alienated and cordially absurd images, and the reversed relationship between the characters and the established death fate in the film all hinted at the chaos, disorder and ambiguity of life in the wave of time and space. Stoppard seems to be using this play to insinuate the destiny that everyone cannot escape. People are like a drop of water in the tide of history. One day, the tide rises high and is pushed to the top of history, being manipulated left and right, up and down , One day the tide receded and the waves disappeared, and they could not help but merge into the waves of the sea, and disappeared ever since. Under the push of fate, everyone falls into the one-way trend of time, feeling the helplessness brought about by the nihilism of history and the alienation of the world .