Richard Jewell promotional activity

Gail 2022-03-21 09:02:30

In Korean movies, we can only see the characters crying and grabbing the ground. In Chinese movies, we can only pray that there will be kindness from nobles at the end, but Dongmu, from the perspective of pragmatism, uses a tone as gentle as Jewell himself, clear Tell the audience what to do and what not to do when you get crushed, and set an example for everyone. Yet while the film's point of departure is righteous, the unnecessary fiction of the journalist's line for drama is deeply immoral. Dongmu borrowed the media to "return the way of others", and transferred the conflict to the media and individuals, ignoring the injuries Kathy Scruggs herself suffered in the incident, and her death in the aftermath of the incident even earlier than Richard Jewell fact. Though the second half of the script tries to make amends, the over-the-top lines and Wilde's exaggerated portrayal of the character make the end of the rumination unhelpful. I think after the movie ends, the audience will not condemn the real murderer of the case, only Scruggs is wrongly hung on the pillar of shame, but no one will be willing to avenge her who has done her due diligence.

Gail 2022-04-24 07:01:16

After the incident, employees who disputed the jurisdiction, news organizations' paranoid pursuit of hot spots and the so-called truth, and even left-right differences and prototype disputes that spread beyond the film. But like the original name chosen for the prototype report, it was an "American nightmare." Richard's story well explains why starting from "Colored Glasses", more "grievances" deserve more attention. Such tragedies are not just black and white, but are superimposed by the system, society and culture. This also makes the execution of the story not only stay on such a simple (but conservative enough) character creation, so some people will be more curious about the perspective of "The Bomber" in the new season (when Cameron Britton was officially announced, the whole The expectation is raised). But Paul Walter Hauser's performance (especially the last half hour) is the key to making it all happen. From "Late Night Show" to "Black Klansman", every character who appears in seconds can be counted, please don't underestimate every "nobody". Great energy and light.