In addition to maintaining the steady and cold narrative of director Clint Eastwood, the film also adds a lot of delicate warmth, making this "Elegy" even more embarrassing than Eastwood's predecessor, "The Mule." Sam Rockwell, who plays Jewell’s lawyer, is a highlight. He has regained the personality of "Three Billboards", like a fuel-filled engine, which helps the film’s prosecution theme.
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Although the overall view of the film is too high on the functionality of the characters and not fresh enough, such as the sluggish and symbolic presentation of Jewell’s in the film, the film still brings people three levels of moving: it makes the malicious more malicious. The warning gesture; the criticism of the media is unambiguous; the praise of maternal love is moving
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