Red Beard evaluation action

2022-01-12 08:01
"赤ひげ" is a long film full of or full of excessive humanitarianism. Wind Man tries to describe the hospitals in the Edo period and the doctors and patients in them. Those patients continue to die and leave. Wind Man is compassionate. Thoughts leaped on the screen. Toshirô Mifune's 赤ひげ is more of a spiritual help to patients, and Wind Man's demand for details proves that he is a person who will commit suicide if he fails to do his own directing work. This is a terrible state. That is the error of the times. The structurally tense doctor-patient relationship does not lie in the dedication of a few people, but it is a kind of fire, and Wind Man gives people hope   .
"赤ひげ" is not a samurai movie in the strict sense. Although "赤ひげ" is a doctor, he has the temperament of a samurai, like a knight. As a doctor, you should first have a benevolent heart, but after being provoked by a group of hooligans, he decisively uses force. The benevolence and chivalry of Akasaka are very much like the demonstrations and conflicts of the Japanese nationals.
Chikaki was also a reformer who changed the outdated medical system at the time. Akagi’s reforms can be seen as a movement to “renovate the local government” in Japan in the 1960s. The various patients and the harsh living environment that appear in the movie are actually a reflection of the real society.
Chi Kaka not only "cured" diseases, but also "healed people". It can be said that he was Lu Xun during the shogunate period. He bluntly said that many diseases are caused by poverty and ignorance in the society, and there is no way for medical skills to do this. The shogunate society in the movie highly overlaps with the real Japanese society, and the prosperity of the upper class is in sharp contrast with the poverty of the lower class   .
The heroic image in "赤ひげ" is very bizarre. The background is completely abstract, far away from any era and social background, and becomes a hospital that can happen in any time and space. The protagonist, "Chi Kaka", not only helps the poor and fights against evil forces, but even has a very powerful martial arts, which can defeat more than a dozen people by one person. This is exactly like the "wuxia myth" in Chinese movies. Wind Man has been unable to interpret his chaotic heroes in this film. Heroes must be completely humanized and mythologized not only in morality but also in ability, otherwise they cannot change the overall situation   .
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Extended Reading
  • Destiney 2022-03-24 09:03:02

    It's really out of control...

  • Salma 2022-04-22 07:01:45

    Akira Kurosawa upholds the conscience of the film industry, and any type of film and any character can be made to be compassionate and compassionate like an ancient Greek drama, so that the audience can be touched and educated. The plot is simple: the second generation of tall handsome and rich officials saw the suffering of the people and eventually grew into a famous doctor for the world. The simple plot is wrapped in a full and full of dramatic conflict, which makes the emotional transition of the characters logical - this is the basic skill, but the black director has achieved the ultimate, so he has become the greatest director.

Red Beard quotes

  • Genzo Tsugawa: She's a special patient. The whole house is a prison. Osugi has the key and no one gets in. The girl isn't let out either. She's called "the mantis."

    Dr. Noboru Yasumoto: The mantis?

    Genzo Tsugawa: It's a good nickname. The female eats the male after they mate. She'd do the same thing. No one knows who she is, but it seems she's the daughter of a merchant. She killed three clerks there. She'd seduce them first. When they'd get excited over her, she'd stab them with a hairpin.

  • Osugi: It's hard to believe men.

    Dr. Noboru Yasumoto: I don't believe women. I've suffered enough for believing one.

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