A Ze and Xiao Kang are rebellious youths who often haunt Ximending. Azer made a living by stealing motherboards from an electric toy store, while Xiaokang skipped classes from the cram school and took the returned tuition to kill time. Xiaokang decided not to take the joint entrance examination, and went to Ximending to hang out, and he met A Ze. A Ze, a typical delinquent teenager, is either driving electric cars all day long, or riding a heavy locomotive whizzing in the street. A big lock is always hung on the front frame. If anyone is unhappy, he will smash it when he catches it. Xiaokang remembers very clearly that this guy once smashed his father's taxi. Xiaokang followed Aze. When Azer opened a room with Agui Hotel, where he worked in the Ice Palace, Xiaokang smashed Azer's beloved motorcycle into pieces in the torrential rain. A Ze found that he was out of luck. Not to mention the car was smashed. The best brother, A Bin, was beaten to half his life by the wicked when they went to sell. Worst of all, he finds himself in love with his best brother's girlfriend, A Gui. The luck of Xiaokang was not so good. Dad knew about his refund and kicked him out of the house
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Rebels of the Neon God movie plot
2022-03-01 08:01
Extended Reading
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Sedrick 2022-04-23 07:04:36
It's youth again, but this time it's not cruel, it's just boring reality. Still don't like Li Kangsheng. Huang Shujun wrote a good tone for the movie.
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Stanford 2022-03-24 09:03:36
For the first time, I encountered a situation where the content of the film that was not filmed appeared in the introduction of the film. It's really hard to see how Akang found out that his own sexual orientation is different from ordinary people. Looking back, I feel that there is only one possible scene in the film. No action was taken before the call. The beginning of the movie is very catchy. The opening scenes of A Kang using a compass to tie the cockroaches in the house, and A Ze and his partner stealing coins from the phone booth are all refreshing. But with the development of the story, the film is always in a state of dispersal. If you want to evaluate it, the film captures the hesitant and depressed feeling of Taiwanese youth at the end of the last century, but it does not effectively and accurately convey the deeper incentives behind this feeling. In one sentence, the film captures the atmosphere, but not the content.
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[first lines]
Mother: What on earth happened? You are all bloody. What happened?
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Hsiao-Kang: Hi, Dad.
Mother: You actually remembered to come home. So where were you the last few days? You are too much. You are getting out of hand.
Father: He's not coming in!