Rear Window Piercing lens

2021-10-13 18:31
When Lisa turned to the window in a green suit, her blouse was visibly messy. After that, the camera turned to the apartment of the man playing the piano, and when the camera was again aimed at Lisa, her blouse had already been arranged.
After Stella gave Jeffrey a note, Jeffrey returned to the wheelchair. Between the two shots, the buttons of Jeffrey's open pajamas were fastened.
After Lisa watched Mr. Su pack up the suitcase, the camera on the shooting scene had moved to the end of the track, so there was the sound of the footsteps of the crew members and the creaking of the floor in the movie.
When Lisa came to Jeffery's apartment to celebrate that Jeffery was about to remove the plaster in a week, she put two candles on the table, but the candles were not lit. Later in the same scene, when Lisa walked back from the kitchen, the candle was already lit.
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Extended Reading
  • Maegan 2022-03-26 09:01:01

    3.5. stuffy. Although the psychology of voyeurism and the visualization of perspective are unconventional or even unprecedented, the fun it gives people does not seem to be enough to run through the whole film, and there is no curiosity about whether the person being watched is killed or how to kill it. At least in my opinion. Seeing the fifth Hitchcock now, except for the pinnacle "Victoria" and "Terror", I feel that the so-called suspense and horror at other times can hardly have both in a single film.

  • Julie 2021-10-20 18:59:53

    I sit in the back window and watch the "movie", and the movie-goers watch me in the "rear window".

Rear Window quotes

  • [Jeff dials the number for Thorwald's phone. Thorwald is seen from a distance walking over to the phone and standing by it]

    L.B. Jefferies: [quietly to himself] Come on, Thorwald, answer it. Come on, you're curious. You wonder if it's your girlfriend calling. The one you killed for. Go on, pick it up!

    [Thorwald is seen picking up the phone]

    Lars Thorwald: [voice] Hello?

    L.B. Jefferies: Did you get my note? Well, did you get it Thorwald?

    Lars Thorwald: [voice] Who are you?

    L.B. Jefferies: I'll give you a chance to find out. Meet me in the bar at the Albert Hotel. Do it right away.

    Lars Thorwald: [voice] Why should I?

    L.B. Jefferies: A little business meeting... to settle the estate of your late wife.

    Lars Thorwald: [voice] I... I don't know what you mean.

    L.B. Jefferies: Come on, quit stalling or I'll hang up and call the police. Would you like that?

    Lars Thorwald: [voice] I only have 100 dollars or so.

    L.B. Jefferies: That's a start. I'm at the Albert now. I'll be looking for you.

    [Jeff hangs up]

  • [Thorwald forces Jeff's apartment door open and stands before him, closing the door behind him]

    Lars Thorwald: What do you want from me?

    [Jeff does not reply]

    Lars Thorwald: Your friend, the girl, could have turned me in. Why didn't she?

    [no reply]

    Lars Thorwald: What do you want? A lot of money? I don't have any money.

    [no reply]

    Lars Thorwald: Say something.

    [no reply]

    Lars Thorwald: Say something! Tell me what you want!

    [Jeff continues to remain silent]

    Lars Thorwald: Can you get me that ring back?

    L.B. Jefferies: No.

    Lars Thorwald: Tell her to bring it back!

    L.B. Jefferies: I can't. The police have it by now.

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