Philomena evaluation action

2021-12-18 08:01
The overall tone of "Philomena" is gentle, and even at the moment of strongest emotional cohesion, it still maintains moderate restraint. It needs to be explained that this feeling of "restraint" is not imposed by the director, but expressed through the natural acting skills of the actor, which makes people feel that this is due to the role, thus eliminating the hidden danger of "deliberate". (   )
At the end of the movie, it has nothing to do with religious beliefs or moral hymns. Everyone has been redeemed, no matter how hard it is to make the mistakes. After a long period of washing, it gradually fades. It is not the brilliance and greatness of human nature, but simply because hate is a very tiring thing. (   )
The theme of "Philomena" is heavy, but Stephen Frears is very good at manipulating the emotions of the audience. He is good at witty dialogue, and he handles the relationship between British cold humor and the dignity of human affection in a subtle way, so that the audience can be happy from time to time for more than 90 minutes. Laughing, sometimes sighing heavily, or laughing with tears, sad and happy. As the plot of the film unfolds, the audience will always be in a sour and full mood, driven by the wonderful lines and the superb performance of the actors involuntarily but willingly. Coupled with the magical sparks inspired by Judith Olivia Dench and Steve, this film not only tells the story of an ordinary family in full, but also projects thought-provoking social contradictions. (   )
The power of "Philomena" is a touching story of looking for relatives when viewed from a small place. If you are willing to see more audiences, the movie can provide you with enough space. No matter how big or small the issue is, it blends into the movie naturally and smoothly, and is completely released under the interpretation of Steve and Judith Olivia Dench. (   )
The cold British warmth is a higher and more real healing. It is not like "Shawnke's Redemption", which uses the repeatedly emphasized "hope never despair" and dramatic victory to inspire sentient beings. Its delicate tone, restrained and restrained, permeates life itself. (by   )
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Extended Reading
  • Jeff 2021-12-18 08:01:14

    The blending of comedy and tragedy is embodied by the good and evil of religion: Philomena is the good of religion and the source of the film's humorous jokes; the hypocrisy caused by the monastery's distortion of religion is evil, which is the source of the tragedy of the story. The transition of suspense in the film is also wonderful, and a section of the video tape is an explosion of tears. For those of us who are not religious, it is estimated that we just want to burn the monastery with a torch. Oops

  • Marcelle 2022-03-30 09:01:04

    Miss the green of Ireland.

Philomena quotes

  • Martin Sixsmith: He's dead.

    Sally Mitchell: Who's dead?

    Martin Sixsmith: The son. He died eight years ago.

    Sally Mitchell: Oh dear. What did he die of?

    Martin Sixsmith: I don't know, I didn't find out. I'm at the airport.

    Sally Mitchell: You're at the airport?

    Martin Sixsmith: Well she just wants to get back, be with her daughter.

    Sally Mitchell: What about the story?

    Martin Sixsmith: Well... he's dead.

    Sally Mitchell: Dead or alive, happy or sad, they're both good. Spin it. Find a story.

    Martin Sixsmith: Look, if I stay here and she's goes home no one's going to answer my questions.

    Sally Mitchell: Then keep her there.

    Martin Sixsmith: What? Come on, she's in bits! It's like she's lost him all over again.

    Sally Mitchell: That's great, write that line down. You signed a contract.

    Martin Sixsmith: Are you serious?

    Sally Mitchell: Yes. Call me when you've got something.

  • Martin Sixsmith: Now why would someone who cared so little about where he came from, wear something so Irish?

    Philomena: Well... perhaps he played the harp. He *was* gay.

    Martin Sixsmith: He didn't play the harp.

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