"Persona" is very experimental both in terms of images and themes. Director Ernst Ingmar Bergman uses a lot of editing techniques such as jumpers to give the film an uncompromising and undisguised modernity. The film can be described as a true anthropological study, which explores a series of issues such as social, family and sexual factors being suppressed. Although the film looks a bit abstract and the environment seems closed, Bergman did not limit himself to the perspective of the "center of the subject", but boldly interspersed the images and sounds of the outside world through the use of televisions and radios. The editing came in, creating tension with the two lonely opposing people in the enclosed space, which made the film break through the meaning of pure psychology. It pointed to the strong pressure on people's hearts caused by the turbulent 1960s social situation. The depth of humanity
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Persona evaluation action
2021-12-07 08:01
Extended Reading
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Alphonso 2022-03-22 09:01:48
A masterpiece among masterpieces, a large amount of limited space creates the extreme of black and white movies, the blankness of words, the fear of being replaced, are people verifying and coexisting with each other, or self-evidence and self-existence? Are you talking to others, the other person or yourself?
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Precious 2022-03-23 09:01:54
Masked Twins Mulholland Drive... First of all, is fed up with the naive binary structure of Westerners. Secondly, if you can’t express it, you beat the table, don’t speak, you are surprised, you quote old movies, you stick to your hands, you shoot beautifully, you mobilize sexual elements, and you intensify the relationship between characters, either hysterical or formal. Presumptuous words, the director is really willful. A good movie transcends personal emotions and circumstances, and can replace a death with a single line.
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Sister Alma: It doesn't make any sense. Nothing fits together. And the guilty conscience you feel over little things. You understand? And what about all the things you'd decided to do? Don't you have to do them anymore? Is it possible to be one and the same person at the very same time -- I mean, two people?
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Sister Alma: You know what I thought after I saw a film of yours one night? When I got home and looked in the mirror, I thought, "We look alike." Don't get me wrong. You're much more beautiful. But we're alike somehow. I think I could turn into you if I really tried.