Perfect Blue evaluation action

2021-12-31 08:02
"Perfect Blue" is the debut animation directed by Kon Satoshi. Kon Satoshi borrowed the narrative technique of "play in play" with the lens editing design to pave the story development, shape the characters, and highlight the creative style.  
Kon Satoshi used a lot of film and television narrative techniques in "Perfect Blue", so that different disciplines can analyze the film from different angles. For example, film and television can make different interpretations from editing and scheduling. The use of color in the film is more unique and vivid than other works: a large number of gray tones make the atmosphere of the film look more depressing and obscure, or a strong contrast of tones emphasizes the direction of the characters' psychological activities, and even directly uses color psychology to affect the audience. Suggestion to complete the plot: blue, orange, and red respectively point to stability (fear), confusion, and danger of disorder. This is also the three mental manifestations of reality, dreams, and illusions caused by the split personality of Wei Ma and Liu Mei. Observing this film from the perspective of color language can make the story line of dreams, reality and illusions more clear.  
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Extended Reading
  • Katrine 2022-03-27 09:01:10

    Jin Min used animation to express character consciousness to the extreme in his debut novel.

  • Sadye 2022-03-24 09:02:18

    Debut is the pinnacle. If "Millennium Actress" is known for being one-stop, "Blue Fear" is a popular drama with a dozen or so full-level post-designs (the most outstanding one is the rape scene where the voice and drama are reversed). Sublimated to the peak of the shadow of the sun. Jin Min is deeply immersed in "Mobile Police Movie Version 2". The traces of the silence are chiseled in this film: the building glass in the opening, the rearview mirror of the car in the ending, and the figure of "Mima of the Ministry", all of which Oshii uses the mirror to refer to fictional consciousness Suo Jun, a technique that erodes the sense of reality. This also highlights that Jin Min's concern from beginning to end is not the "dream" that he claims to be, but "fiction"; to find out the sequence of how man-made fiction emerges from reality is the true context of Jin Min's films. The nameless but real inheritance between Oshii and Jin Min is undoubtedly the biggest surprise in the 1990s.

Perfect Blue quotes

  • Mima's Ghost: Let's end all of this. We don't need two Mimas now, do we?

    Mima Kirigoe: I am Mima!

    Mima's Ghost: [laughter] That's funny. Mima is a pop idol... and you're just a dirty old imposter

    Mima Kirigoe: You're the imposter! I'm not gonna take this anymore!

  • [Last line]

    Mima Kirigoe: No, I'm the real thing.

    [smiles]

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