Paycheck background creation

2021-12-12 08:01
The filming budget of "Paycheck" is more than 100 million U.S. dollars. The director of the film was originally targeted at Brett Reiner, who is famous for "Red Dragon", but he changed his mind temporarily and took over the directorship of the new version of "Superman". He changed his position and finally signed John Woo , a Hong Kong director who is good at directing action movies . This became Wu's first sci-fi work after he entered Hollywood. 
One of the most classic styles in John Woo’s violent aesthetics is the shot of two people pointing their pistols at each other’s heads. Shooting this shot is the most challenging moment for weapon instruction—the risk taken when shooting this shot. It is huge, and no difference is allowed.
Director John Woo and producer Terence Chang and some of their most trusted collaborators made "Paycheck", including ASC photographer Jeffrey Kimball, weapon director Locke Gallotti, and stuntman Greg Smoz With Brian Smoz, the film was all shot in Vancouver, Canada (originally planned to be shot in Seattle), and the film crew took four months to complete the filming in the Vancouver studio. The film crew invited the art director William Sandell who had worked with many outstanding directors.
In order to enhance the action shots and give the audience a sense of being on the scene, Brian Smoz adopted a trimming technique and used remote mechanical equipment to shoot. For example, the camera can be mounted on a descender. Let the camera fall quickly and steadily from a high place; there is also a mobile shooting arm, which allows the camera to overlook the entire street scene at a relative height parallel to the city street, creating a real sense of urgency. All the chase scenes in "Paycheck" were shot in real life, and a car chase on the streets of Vancouver was the most dramatic scene for the stunt department.
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Extended Reading
  • Joy 2022-04-22 07:01:31

    The problem of casting is a big one. It's not that I despise Xiaoben, it's just that Sister Thurman has no sense of existence in it. Including John Woo, is also at odds with PKD's dystopian complex. The whole play is an extreme combination in awkward form. The two-faced villain loses, and Bond makes a cameo appearance.

  • Westley 2022-04-23 07:02:14

    How can I remember that I saw this movie, but the plot behind it was completely unimpressive. The story is pretty good. John Woo always likes to have Asian elements in his films. The palmistry ornaments in the front are okay, but the eyebrow-raising sticks in the weather lab in the back are a bit nonsensical...

Paycheck quotes

  • [Michael and Rachel have entered the inner sanctum, where the computer is which, presumably, Michael designed or reverse-engineered]

    Michael Jennings: Let's take a look at the future before we destroy this thing.

    [Jennings looks intense, then smiles as he discovers that he innately knows how to place his fingers and palms on the devices. But his smile turns to a frown as he discovers the same virus message that Brown has been receiving: ERROR - 41. He taps at some controls, then whispers:]

    Michael Jennings: I bugged it! I rigged it, so Jimmy wouldn't use it against me.

    Rachel Porter: Then you can fix it, right?

    [He sighs and climbs down into the engineering section]

    Michael Jennings: Where would I have planted that bug? Maybe I wanted the motherboards. Whoa! Whoa!

    [He sees that Rachel has picked up a monkey wrench]

    Michael Jennings: We won't be needing this, okay? You're dangerous with that thing!

    [He seizes the monkey wrench and tosses it away onto the ground. Rachel's fingers curl against her bosom]

    Rachel Porter: You must have given yourself something to help you find it.

    Michael Jennings: I know. The only things left would be are the bullet and the, this.

    Rachel Porter: The crossword?

    Michael Jennings: Yeah!

    Michael Jennings: [He studies it] Look at this: 12-Down.

    [the clue is circled in ink and it reads: Used for changing connections in a circuit]

    Michael Jennings: Maybe it's here.

    Michael Jennings: [He counts circuits until he comes to the twelfth] Maybe it's a circuit diagram? I wouldn't have put it in the primary path. Twelve down.

    [By placing the crossword puzzle over the grid, he discovers the bug; and he looks at Rachel with sly pride. They grin at each other. The virus warning turns into a pleasing display on the screen]

    Michael Jennings: [In another room, Rethrick has been spying on them and has followed their progress]

    Jimmy Rethrick: Take 'em.

    Wolfe: Okay, Corridor 3, Level A: Jennings' lab.

    [Rethrick arms his pistol and starts walking]

  • Michael Jennings: Oh, my God, it's the future. The machine predicts a war - and we go to war to avert it. It predicts a plague - we herd all the sick together, create a plague. Whatever future this predicts, *we* make happen. We give over control of our lives completely. I did this... Seeing the future will destroy us.

    Michael Jennings: If you show someone their future, they have no future. You take away the mystery, you take away hope.

    Michael Jennings: I have to go back. I have to destroy that machine.

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