"Song of the Road পাঁচালী", with a fresh and simple style, has become one of the films that constructs the banner of realism and aesthetic consciousness in the history of Indian cinema. Its naturalistic aesthetic consciousness is completely different from the naturalistic literary schools in the sense of Western literature. It is closely related to the concept of "the unity of nature and man" in the oriental film aesthetic culture, and it realizes the self-knowledge of the individual and the communication and communication between man and nature. The "savour of compassion" in the film originated from Rey's portrayal and experience of Indian traditional aesthetic consciousness. As the opening work of the "New Wave of Indian Cinema", "Song of the Road পাঁচালী" is very different from the traditional Indian song and dance film's stereotyped narrative procedures and patterned character types. Instead, it portrays the film with a "compassionate" mood and technique. Each character in the story with an "existentialist attitude" expresses his true life of loneliness, anxiety, despair and sadness. In "Song of the Road পাঁচালী", Rey truly described "people", describing their character, emotions, hope, despair and pain. However, the "sorrow" in Rey's film is not simply pain and misfortune. As a framework, they construct the tranquility of the soul under suffering. That is to say, the film not only expresses the "sorrowful" sentiment, but also emphasizes the sentiment. The humanistic feelings hidden underneath, with an "existential attitude", writes out the character and soul of each individual individual. "Song of the Road পাঁচালী" not only represents the past, but also heralds the future
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Pather Panchali evaluation action
2022-01-12 08:01
Extended Reading
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Watson 2022-03-16 09:01:06
#资料馆留影# The author’s film, 55 years of Rey can actually shoot such a great work, the trivial daily life of an ordinary Indian family, with the heavy texture of a documentary, the "Impressionist" light and shadow music, and the little boy Apu’s eyes The world is an early sister, a lonely aunt, a barren land, a poetic piece, and a melancholy mother. All the nostalgia is in no words, just looking back, just hating hastily.
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Alexander 2022-03-20 09:02:23
It's totally wrong with my mouth, it feels like Ozu who eats pilaf
Pather Panchali quotes
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Sarbojaya Ray: Listen - you lived in Benares a long time. Do people know you there?
Harihar Ray: Some certainly do.
Sarbojaya Ray: Isn't there a ghat by the river where priests sing and recite from the scriptures?
Harihar Ray: It's called Dashashamedh Ghat.
Sarbojaya Ray: They earn a lot there, right?
Harihar Ray: I suppose.
Sarbojaya Ray: Then let's go.
Harihar Ray: We can't do that.
Sarbojaya Ray: Why not?
Harihar Ray: How can we? I left there to return here to my ancestral home. I can't go the other direction now.
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Sarbojaya Ray: This is my home now too. But just look at it. It's like living in the jungle. Jackals prowling around as soon as night falls. No neighbors to sit and talk to. When you're not here, I'm terribly uneasy. But you wouldn't understand. You eat and sleep and go about your work, unconcerned whether you're paid or not. I had lots of dreams too. All the things I wanted to do...
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"Song of the Earth (পথের পাঁচালী)": The house leaks in the middle of the night, and the boat is late and the wind blows [The 9th Cannes Film Festival Palme d'Or]
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"Song of the Road", Arp's trilogy, 1955
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"Song of the Earth" in the movie book
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a hymn of life
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Rey: He opened the door to real Indian cinema