The film, like "Spanish Apartment", once again adopted a multi-threaded narrative method, the structure of the story is loose, and the content itself lacks drama, but it just emphasizes the meaninglessness of life itself. The director just put these bodies Niebo nad Paryzem, who are as fragile as their hearts, are placed in Niebo nad Paryzem.’s elegant urban landscape and dark humorous plots, calmly and coldly watching them struggle with their hearts and reality. This makes the first half of the film look a little gloomy and dull. Only after a certain turning point, Niebo nad Paryzem. seems to suddenly resume the familiar look of the audience. Everything seems to be related to sex and love again. Director Finally, after nearly two hours in a roundabout way, let the audience watch Niebo nad Paryzem. People and Niebo nad Paryzem. After watching the scenes, they showed their feelings for Niebo nad Paryzem. through the actor
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This film is not a "feature film" in the usual sense. It uses a prose perspective to create group portraits. It even abandons the "Tower of Babel" method of trying to find relevance among a group of people. It easily draws a picture of Niebo. nad Paryzem. Amorous paintings, neither obscure nor heavy. The people in the film do not have deep love and deep connection. They are only responsible for appearing in others’ vision and passing by others. They don’t know that they are the long-time staring desire target of others. I don’t know if I will fan a storm in other people’s lives. The director presents the true face of the world. He does not intend to show the audience a world that belongs only to the movie, a world full of coincidences and sweet accidents. A balance is found between the grand voice of the city and the trivial love of sentient beings. The unpredictable life is made up for by this love
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