Sometimes the film is purely composed of beautiful and insignificant moments. Almost all conflicts exist in its past tense, creating a work with loose plot, broad mind, simple and fresh, and somewhat plain. Xiaomeiling naturally blended into the life of the Xiangtian family, overwhelming the audience who had expected the story to have quarrels or twists, and the little drama effect provided by the director at the end seemed reluctant. The sequence of season markers in the film show the passage of time. The actors’ relaxed and realistic sister emotions and subtle expression exchanges are often in the middle shot.
It was revealed in the head. Although the whole movie is pleasant, it is not enough to keep people interested for a long time.
The movie story itself is a bit like a clichéd family drama. Although it may be a pile of emotional points, the delicate emotions unique to East Asians can make the audience have a strong sense of substitution. There is no ups and downs in the plot of the whole film. Because there is no connection between the male characters arranged for the four sisters, the audience feels that the overall structure is too "scattered." The dialogue between the two shown in the movie is part of the bright spot. Although some are relatively straightforward and give a sense of preaching that is too clear, the characters are tacitly aware. This most daily emotion is quite moving.
