The soundtrack of the film, Enio Morricone, selected instruments that fit the film's "mysterious" and "dreamy" features such as Pai Xiao, with their whimpering, or dreamy and erratic sounds, combined with strings and vocals. The combination makes the music express what the picture can't express. When the old noodles returned to the old place, Morricone used a soothing, soft rhythm and melody. The music cleverly hinted at the changes of the times and the passage of years, showing the turbulent heart of the noodles under the calm appearance. When Noodles meets Deborah alone in a tavern, Morricone uses a gentle, sentimental theme, with a graceful, euphemistic string ensemble. The music is full of sentimentality in the beauty, and it seems that they have already paved the way for the unfortunate ending of the two. When the noodles watched Deborah's train slowly moving away from the crowded train station, the sad, elegant voiceless hum of the soprano singer Ida sounded in her ears, fully expressing the kind of resentment inside the noodles. Feeling ().
Once Upon a Time in America Excellent soundtrack
2021-10-20 17:21
Extended Reading
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Bill 2022-03-25 09:01:05
He is not Al Capone, "the eyes of the world pass through him". He became an echo of the old world. Those violence are deeply saddened, affectionate, and sentimental that can't be concealed. As if to evoke something. This is an atypical gangster movie in Leon, his lyrics.
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Adolf 2022-03-24 09:01:16
Too big an epic movie, as always a childhood trauma.
Once Upon a Time in America quotes
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[In 1932, Noodles takes Deborah out to dinner]
Deborah Gelly: Been waiting long?
Noodles: All my life.
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Deborah Gelly: You dancing?
Noodles: You asking?
Deborah Gelly: I'm asking.
Noodles: I'm dancing.
[they dance]