On the Waterfront evaluation action
2021-11-13 08:01
The shooting style of "The Wharf" is cold and has a strong realistic style, especially the portrayal of the bottom-level figures in the docks, warehouses and pubs, allowing the audience to see a rough life beyond the classic Hollywood aristocratic luxury life. In the grasp of details, director Ilya Kazan clearly adopted the style of documentary, bringing the dirty, rough and even sweaty smell of life on the dock to the lens. The film truly reflects the life, awakening and struggle of dockers. It is a passionate accusation of corruption and crime within the American labor union. The audience can see the struggle of the bottom American people with blood and tears. In addition, the core of the film’s story has an abstract metaphorical nature. It does not specifically address the social level of "killing for life" or "equal punishment", but extends to the discussion of non-violent politics. Social ideals. However, the film's praise of non-violence is not perfect, it does not touch on the essential issues of industrial society such as exploitation and oppression, and it lacks reflective criticism of the mass aphasia in the masses. But in any case, the film keeps a little distance from Hollywood utopian entertainment films and various types of social problem films, which makes it an epoch-making film
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Extended Reading
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Kid: [crying] A pigeon for a pigeon!
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[first lines]
Johnny: [to Terry] You take it from here, Slugger.