On Golden Pond Movie Highlights
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Jeanette 2022-03-24 09:03:03
#filmarchive# Film lighting class: interior and exterior. Take care to determine the interrelationships of other important scenes that can be seen through doors and windows. For example, far distance, left and right directions, etc. Pay attention to the use of props to enrich the environmental effects outside the doors and windows and increase the picture information.
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Donna 2022-03-27 09:01:15
No wonder Jane Fonda bought this script for her father. It was basically written for his family, but if the soy-sauce dentist asked Peter Fonda to play his family, it would be all right. The acting skills of the two veteran actors will not be commented on. I owe them... Although the old movies feel different, the real emotions are much stronger than those who make tears now
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Norman: You want to know why I came back so fast? I got to the end of our lane. I couldn't remember where the old town road was. I went a little ways in the woods. There was nothing familar. Not one damn tree. Scared me half to death. That's why I came running back here to you. So I could see your pretty face and I could feel safe and that I was still me.
Ethel: You're safe, you old poop and you're definitely still you picking on poor old Charlie. After lunch, after we've gobbled up all those silly strawberries we'll take ourselves to the old town road. We've been there a thousand times. A thousand. And you'll remember it all. Listen to me, mister. You're my knight in shining armour. Don't you forget it. You're gonna get back up on that horse and I'm gonna be right behind you holding on tight and away we're gonna go, go, go.
Norman: I don't like horses. You are a pretty old dame aren't you? What are you doing with a dotty old son of a bitch like me?
Ethel: Well, I haven't the vaguest idea.
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Norman: [Looking at an old family photo of himself, his wife and daughter] Who the hell is that? Who in the hell is in this picture here?