On Golden Pond evaluation action

2022-01-11 08:02
"On Golden Pond" is a classic American literary film with a delicate and authentic touch. The whole movie is enveloped in a gentle atmosphere from beginning to end. The beginning of the film is the same as "Notebook of Love", and the warm-toned pictures are like Christmas cards. And those foul language, humor, cold scenes and false alarms make the film full of flexibility. The narrative of the film is also indifferent and leisurely, with extreme warmth. Although the story of the film is very simple and can be described in a few words, the subtle and fickle feelings between people make it not so easy to explain.
"On Golden Pond" explores the psychological crisis of the elderly in the face of death and aging in a soothing way, showing the true meaning and true feelings of life. The deep family affection and faint melancholy embodied in the film, coupled with the beautiful and exquisite pictures, and the refreshing music, all bring an aftertaste to the audience. The plot of the film is always gradually presented in the beautiful and picturesque On Golden Pond. The beautiful ponds show different colors and attitudes in different scenes, reflecting different life conditions and life perceptions.
"On Golden Pond" is a movie that belongs to an actor. Since the director chose the right actors, the film’s excitement was increased. Henry Fonda used his superb acting skills to interpret the old stubbornly in the film into three-pointers without showing any traces. And Katharine Houghton Hepburn used her unique and slightly exaggerated performance to make an old lady who is full of love for life and full of enthusiasm and enthusiasm for her family convincing.
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Extended Reading

On Golden Pond quotes

  • Billy Ray: A canoe! Just like the Indians used.

    Norman: Actually, the Indians used a different grade of aluminum.

  • Bill Ray: You're having a good time, aren't you?

    Norman: Huh?

    Bill Ray: Chelsea told me all about how you like to have a good old time with people's heads. She does too, sometimes. Sometimes I can get into it and sometimes not. I think you should know, I'm pretty good at recognizing crap when I hear it. You know, it's not imperative that you and I become friends. I thought it would be nice. I'm sure you're a very fascinating person, and I thought it would be fascinating getting to know you. That's obviously not an easy task... No. You just go ahead and be... as poopy as you want, to quote Chelsea, and I'll be as receptive and as pleasant as I can be. But I want you to bear one thing in mind while you're jerking me around, making me feel like an asshole. I know precisely what you're up to. I'll take just so much of it. Ok?... Now what is the bottom line on this illicit sex question?

    Norman: Very good. That was a good speech. Bottom line, huh? You're a bottom line man? All right, here's the bottom line... Okay.

    Bill Ray: Hm?

    Norman: You seem like a nice man. A bit verbose, but nice...

    Bill Ray: Thank you.

    Norman: ...and you're right about me. I am fascinating.

    Bill Ray: I'm sure you are.

    Norman: Let's get back to talking about sex... anything you want to know, just ask me.

    Bill Ray: No, I just... uh, I just wanted to clear up that little question. Chelsea and I can sleep together, right?

    Norman: Sure, please do.

    [pauses, resumes reading]

    Norman: Just don't let Ethel catch you.

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