Nobody Knows evaluation action

2022-01-14 08:01
The film is not as full of sunshine and joy as most children's themed movies, the whole film is carried out in a gloomy atmosphere. The film adheres to the slow and orderly narrative style of Japanese movies, through the story of several children supporting each other's tenacious survival in an environment without parents. This story is not fictitious, but is based on real people and things, which makes people feel helpless. The film does not explain the ending, but it touches people's hearts. The children's innocence, optimism and simplicity reflect the scorching and helplessness of the world. It can be said to be a successful children's film with profound ideological connotations   .
"Who も知らない" has nothing to do with sensationalism. It is close to the sensationalism, and it resolutely abandons the emotional pretentiousness, and faces the embarrassing and miserable life with a noble life solar term. Like adults, children cannot escape the test of survival.
At the beginning of the film, the ragged and unkempt elder brother Ming and the girl Saki sat down while sitting in front of each other. He stroked the clothes that contained the body of the little girl, and wrote on his face a determined expression that was not commensurate with his age, which has been set for the film. Set the tone. When the story officially begins, it is a seemingly pleasant relocation first. Koyuki and Xiaomouge huddled up in a box like objects and held their breath, and they announced their so-called life, and announced their so-called life. Who will come and walk quietly. The cruel reality robbed Xiao Xueyi's weak and pure life, and the petite and exquisite soul went away peacefully without resistance. Her brother took her back to the clothes that was confined to her in the past and embarked on the journey. Her elder brother buried her outdoors where one could see the airplane every day, and returned to the fresh nature. The once fateful box became her final coffin. Hirokazu Koreeda once said: The unknown is dead and the life is known. Xiaoxue's death may not be the end, she is the beginning of the rest of his brother and sister's lives. She makes the living suddenly realize the definition of life. The younger brother did not shed tears, he took the hand of his younger brother and sister, and marched bravely towards tomorrow. From then on they will no longer be muddled, and from then on they will welcome a splendid life.
Hirokazu Koreeda recorded in detail a family abandoned by his parents and a group of abused children with unobtrusive and simple techniques. He may have pointed out the culprit, but he never criticized subjectively, and never made a big deal about the so-called "responsibility". Hirokazu Koreeda is cruel, he puts the burden of suffering and miserable life on the immature shoulders of minors; Hirokazu Koreeda is kind, he endowed children with precocious and strong temperament, so that they dare to bear the hardships of life and understand life. Definition   .
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Extended Reading

Nobody Knows quotes

  • Keiko, the mother: Now that we've moved into a new home, I'm gonna explain the rules to you, one more time. Let's promise to keep 'em, okay?

    Yuki: Okay. How many are there?

    Keiko, the mother: Okay, first of all: No loud voices or screaming. Can you do that?

    Yuki: I can.

    Keiko, the mother: Okay, next: No going outside.

    Yuki: Okay.

    Keiko, the mother: Can you do that? No even out on the veranda.

    Yuki: Okay, Mommy.

    Keiko, the mother: "Okay, Mommy." Can you keep that promise?

    Yuki: Sure!

    Keiko, the mother: Can you do it, little Shige-runt?

    Shigeru: MEEEEEW!

    Keiko, the mother: You gotta promise hardest, huh? Right? Absolutely no going outside. Can you do that? Bet you can-can.

  • Pachinko Parlor Employee: Shit. I'm 10 yen short. Lend me 10 yen.

    Akira Fukushima: Ten yen?

    Pachinko Parlor Employee: No big deal, huh? Lend me. What the hell is with that big wallet? What the hell is this?

    Akira Fukushima: It's a hand-me-down from Mom.

    Pachinko Parlor Employee: From who?

    Akira Fukushima: From Mom.

    Pachinko Parlor Employee: You moved, right? Roomy, huh? Any pubic hair comin', yet?

    Akira Fukushima: No...

    Pachinko Parlor Employee: Bullshit. I got mine in fifth grade.

    Akira Fukushima: No way.

    Pachinko Parlor Employee: No bullshit.

    Akira Fukushima: Well...

    Pachinko Parlor Employee: What the heck are you smiling about, huh?

    Akira Fukushima: Well, It's just that single mother's gine, well... there's no money...

    Pachinko Parlor Employee: Whoa. I don't have any money. What've you got left?

    Pachinko Parlor Employee: About 10,000 yen.

    Pachinko Parlor Employee: Oh, that's enogh, huh? You know, I'm in a hell of a jam. My stupid girlfriend, you know, she totally maxed out my credit cards. I'm badly off. I'm working my ass off, slowly paying it down, man. Uh, this is all I've got on me. This is it, the last time, huh?

    Akira Fukushima: Thanks, thank you.

    Pachinko Parlor Employee: Okay. I'm outta here.

    Pachinko Parlor Employee: By the way, Yuki ain't my kid. Every time I did with your mom, I used a prophylactic, huh? Good bye.

    Akira Fukushima: See ya.

    Pachinko Parlor Employee: Bye-bye.

    Akira Fukushima: Thanks for this.

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