Quick editing of scenes in the film shows that the Space Museum is adjacent to the White House and the Lincoln Memorial; in fact, the White House is 1 mile away, and the Lincoln Memorial is more than 1.6 miles away.
The Smithsonian Museum has many exhibits that are not on display in the suburbs of Washington, D.C., rather than in the lower basement of the museum as described in the movie.
When Larry walks towards Smithsonian Castle, you can clearly see his phone on his belt; but when he walks past the Al Capone exhibit near the entrance, his phone disappears but disappears; Then, as he approached the door of the Pharaoh, his phone was back on his belt.
When Larry and Emilia were forced to retreat near the "American Gothic" portrait, he grabbed the pitchfork from the painting, and he could see the four pointed pitchforks he used; but in the actual portrait The pitchfork is three pointed.
When Larry and Emilia ran to the Space Museum, the light on the top of the U.S. Capitol was on; in the later shots, the light was off; in fact, this light is usually the House of Representatives or the Senate at night It is only on the few occasions where meetings are held.
In the Smithsonian Space Museum, the scene is very chaotic at this time, the planes are flying around, the rockets are preparing to launch, at this time a staff member on the flight deck of the US Navy aircraft carrier is directing an F-104 Constellation fighter to take off ; This fighter was used by the U.S. Air Force from the 1950s to the 1960s, and it cannot take off or land on an aircraft carrier.
Grant Wood's "American Gothic" and Edward Hopper's "Nighthawk" should be in the Chicago Art Museum. Auguste Rodin's work "The Thinker" is in the Rodin Museum in Paris.
General Custer speaks with a Southern accent in the film, but he is actually from Michigan, Ohio.
In the film, Larry and Emilia Earhart fly a 1903 Wright brothers plane; in fact, this plane can only accommodate one person.
When Larry shook hands with the space monkey, he came to the front of the table and talked with Albert Einstein shaking his head. Somewhere after this scene, his black tie magically disappeared.
In the film, Wilbur Wright has a beard, but Orwell Wright does not; in fact, it should be Orwell Wright that has a beard, but Wilbur does not.
